Del encierro a la libertad: análisis de la espacialidad en Las amargas lágrimas de Petra von Kant y La pasión según Berenice

Q1 Social Sciences Comunicacion y Sociedad Pub Date : 2018-03-01 DOI:10.32870/CYS.V0I32.6934
M. Pérez
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Abstract

This article presents the descriptive analysis of the strategies of spatial representation used in The Bitter Tears of Petra von Kant by Rainer Werner Fassbinder and The Passion of Berenice by Jaime Humberto Hermosillo. The study is developed in two phases: mise-en-scene and framing. The paper analyzes the functions of the cinematographic landscape and explains the spatiality or set of meanings expressed through the spaces shown in each film.
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从囚禁到自由:佩特拉·冯·康德的苦泪和贝蕾妮丝的激情的空间性分析
本文对法斯宾德的《佩特拉·冯·康德的苦泪》和埃莫西略的《贝蕾妮丝的受难记》的空间再现策略进行了描述性分析。本研究分为两个阶段:场景设定和框架。本文分析了电影景观的功能,并解释了每部电影中通过空间所表达的空间性或一系列意义。
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来源期刊
Comunicacion y Sociedad
Comunicacion y Sociedad Social Sciences-Communication
CiteScore
3.20
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