{"title":"La construcción del concepto de espacio público en Hannah Arendt: Las fuentes de la metáfora teatral","authors":"Rebeca Canclini","doi":"10.5209/ltdl.77034","DOIUrl":null,"url":null,"abstract":"Este trabajo analiza el concepto de espacio público en el pensamiento de Hannah Arendt a partir de metáforas provenientes del ámbito teatral. El objetivo principal es reconstruir el camino entre las intuiciones provenientes del mundo del teatro y la construcción del concepto de lo público arendtiano. Después de algunas precisiones metodológicas, se enumeran las expresiones vinculadas con el ámbito teatral que se encuentran en distintas obras arendtianas. Posteriormente, se analiza la fuente de la metáfora teatral y se caracteriza el concepto de espacio público a partir de ellas. Este trabajo muestra que: 1. La fuente de la metáfora teatral incluye a la tragedia antigua tanto como a formas contemporáneas de teatro. 2. Las formas contemporáneas de teatro permiten: a) conceptualizar las formas sociales de publicidad y, b) considerar el rol de los espectadores como políticamente relevante","PeriodicalId":40567,"journal":{"name":"Torres de Lucca-Revista Internacional de Filosofia Politica","volume":null,"pages":null},"PeriodicalIF":0.4000,"publicationDate":"2022-06-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Torres de Lucca-Revista Internacional de Filosofia Politica","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.5209/ltdl.77034","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"PHILOSOPHY","Score":null,"Total":0}
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Abstract
Este trabajo analiza el concepto de espacio público en el pensamiento de Hannah Arendt a partir de metáforas provenientes del ámbito teatral. El objetivo principal es reconstruir el camino entre las intuiciones provenientes del mundo del teatro y la construcción del concepto de lo público arendtiano. Después de algunas precisiones metodológicas, se enumeran las expresiones vinculadas con el ámbito teatral que se encuentran en distintas obras arendtianas. Posteriormente, se analiza la fuente de la metáfora teatral y se caracteriza el concepto de espacio público a partir de ellas. Este trabajo muestra que: 1. La fuente de la metáfora teatral incluye a la tragedia antigua tanto como a formas contemporáneas de teatro. 2. Las formas contemporáneas de teatro permiten: a) conceptualizar las formas sociales de publicidad y, b) considerar el rol de los espectadores como políticamente relevante
期刊介绍：
The scientific scope of Las Torres de Lucca (International Journal of Political Philosophy) will be to comprehend the characteristics of political philosophy, in line with the interdisciplinary character that has operated in this field during the last several years. We welcome contributions from the areas traditionally linked directly to political philosophy (moral philosophy, philosophy of law, political theory), as well as from those that have been incorporated up to the present day (political economy, philosophy of history, psychology, neurophysiology and, to a lesser extent, other sciences) as long as their scope is focused on the treatment of public affairs and sheds light on contemporary political reflections. In the same way, the reference to classic problems should be brought to bear on contemporary questions. The journal does not commit itself to any school of thought, style or ideology. However, we do commit ourselves to argumentative rigor and expositive clarity. Thus, the new publication is directed towards the academic environment and designed for the specialized reader; but the publication also aspires to awake interest in the reader who is not technically formed in these disciplines, but is interested by the public questions that inevitably affect him or her. We expect that the scope of the journal will be international. Thus, articles will be published in Spanish and English, and original articles in French, Portuguese, Italian, or German will be accepted as exceptions (depending on their quality and relevance), translated into Spanish and published in a bilingual format. We are particularly interested in covering the Spanish/Latin American realm, particularly lacking in specialized publications of this type. With this in mind, we count on experts from the distinct countries included in this geographic area.
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