Identification Design of the Emblem Pattern on the Official Robes of the Central Plains Dynasty — Taking the Ming Dynasty as an Example

Xin-Zhi Huang, Chuko Cheng, Yu-Che Huang
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Abstract

These Identity design has been an important subject of human concern since ancient times. In ancient feudal society, the same group of people formed a pyramid structure. Taking the Qing Empire as an example, the emperor's robe is yellow with a dragon emblem embroidered on it, symbolizing the emperor's majesty, while the official robes are divided into bird patterns and animal patterns, forming a strict hierarchy. In addition to the level identification between the same groups, the power information and other information of different groups can also be clearly distinguished from each other. For example, the Japanese family crest shows the family information to which the individual belongs, while the European family crest is more of a multi-level presentation, which may include family, class, status and other information. In addition, both of them have a long history and culture and a well-structured and systematic emblem pattern. When later generations studied the totem emblem patterns in other regions, they invariably used the two as a reference for comparison. What are these coats of arms and coats of arms used as a basis for judging status and class? This is the goal of this study, and it is hoped that the final findings will serve as a reference for other researchers.
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中原王朝官服徽纹的识别设计——以明代为例
这些身份设计自古以来就是人类关注的重要课题。在古代封建社会,同一群人形成了金字塔结构。以清帝国为例,皇帝的长袍是黄色的,上面绣着龙徽,象征着皇帝的威严,而官服则分为鸟纹和兽纹,形成了严格的等级制度。除了同一群体之间的层次识别外,不同群体的权力信息和其他信息也可以清晰地相互区分。例如,日本的家徽显示了个人所属的家庭信息,而欧洲的家徽则更多的是一个多层次的呈现,可能包括家庭、阶级、地位等信息。此外,它们都有着悠久的历史文化和结构完善、系统的徽记图案。后世在研究其他地区的图腾纹样时,无一例外地以这两种纹样为参照进行比较。这些纹章和纹章是用来判断地位和阶级的依据吗?这是本研究的目的,希望最终的研究结果能够为其他研究者提供参考。
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