{"title":"Jesus’ Descent from the Cross in Ancient and Medieval Reception","authors":"R. Edwards","doi":"10.1515/jbr-2021-0027","DOIUrl":null,"url":null,"abstract":"Abstract This article traces out the receptions of the Gospel accounts of the removal of Jesus from the cross (which has been variously titled the “deposition of Christ” or the “descent from the cross”). This scene is narrated only very briefly in the four canonical Gospels and receives very little attention in the commentary tradition. However, it does receive attention in creative retellings of the Gospel narratives in antiquity and the middle ages; whereas receptions of this scene are less frequent in antiquity, they explode in the high middle ages. Focusing on the Gospel of Peter, Nonnus of Panopolis’ poetic Paraphrase of John, and the Pseudo-Bonaventuran work Meditationes Vitae Christi, this article explores what might have interested these authors in Jesus’ descent from the cross, and then what these receptions teach us anew about the scene as narrated in the canonical Gospels.","PeriodicalId":17249,"journal":{"name":"Journal of the Bible and its Reception","volume":"32 1","pages":"43 - 66"},"PeriodicalIF":0.0000,"publicationDate":"2023-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of the Bible and its Reception","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1515/jbr-2021-0027","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
Abstract This article traces out the receptions of the Gospel accounts of the removal of Jesus from the cross (which has been variously titled the “deposition of Christ” or the “descent from the cross”). This scene is narrated only very briefly in the four canonical Gospels and receives very little attention in the commentary tradition. However, it does receive attention in creative retellings of the Gospel narratives in antiquity and the middle ages; whereas receptions of this scene are less frequent in antiquity, they explode in the high middle ages. Focusing on the Gospel of Peter, Nonnus of Panopolis’ poetic Paraphrase of John, and the Pseudo-Bonaventuran work Meditationes Vitae Christi, this article explores what might have interested these authors in Jesus’ descent from the cross, and then what these receptions teach us anew about the scene as narrated in the canonical Gospels.
摘要:本文追溯了福音书中关于耶稣从十字架上被取下的记载(有不同的标题:“基督的沉积”或“从十字架上下来”)。这一幕在四部正典福音书中只被简短地叙述过,在注释传统中很少受到关注。然而,它确实在古代和中世纪福音叙事的创造性复述中受到关注;尽管这种场景在古代不太常见,但它们在中世纪盛期爆发了。本文以《彼得福音》、帕诺波利斯的诺努斯(Nonnus of Panopolis)的《约翰福音》(John’s)的诗歌意译,以及伪博纳文图尔派(Pseudo-Bonaventuran)的著作《基督的沉思》(Meditationes Vitae Christi)为重点,探讨了这些作者对耶稣从十字架上下来感兴趣的是什么,以及这些观点教给我们的关于正统福音书中叙述的场景的新知识。