Comrade Muriel

IF 2 0 HUMANITIES, MULTIDISCIPLINARY Women-A Cultural Review Pub Date : 2022-04-03 DOI:10.1080/09574042.2022.2072618
L. Roberts
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Abstract

Rowena Kennedy-Epstein’s new book,Unfinished Spirit: Muriel Rukeyser’s Twentieth Century, is a bracing work of scholarly devotion. Reading across genres and forms, Kennedy-Epstein focuses on four thwarted projects: Rukeyser’s Spanish Civil War-era novel Savage Coast, unpublished in her lifetime; a clutch of lectures, radio talks, and essays that illuminate Rukeyser’s sexual politics; collaborative work with her lover, the photographer Berenice Abbott; and a biography of the anthropologist Franz Boas. In each case, Kennedy-Epstein traces Rukeyser’s resourceful struggle against ‘the sexism of editors, the withdrawal of publishing contracts, political censure [and] derision’ (7). The result of ten years of archival work, almost every page bristles with evidence drawn from letters, unpublished interviews, and marginalia. This material isn’t brandished as a trophy but woven into the argument of the book, which shows us that what doesn’t come to fruition isn’t simply waste, and that ‘waste’ is itself a highly ideological concept. Alongside plenty of original readings and fresh interpretation, Kennedy-Epstein manages the uncanny trick of presenting us with Rukeyser at work, thinking and feeling her way through the catastrophes of her epoch. The first part of the book – three taut chapters – is organized around Rukeyser’s experiences in Spain, where she travelled in 1936 for the opening of the antifascist People’s Olympiad. Dedicated readers of Rukeyser will be aware of some of this terrain already, thanks in part to KennedyEpstein’s own editorial work. Her edition of Savage Coast appeared in 2013 with the Feminist Press, and helped to introduce Rukeyser’s writing to a new generation of activists and poets. This recovery work originated in the activities of the CUNY Poetics Document Initiative, Lost & Found, which has been an inspiration for anyone working on experimental poetry in the long aftermath of the financial crisis. Kennedy-Epstein’s contribution to the series, Barcelona, 1936: Selections from Muriel Rukeyser’s Spanish Civil War Archive (2011), joined work by other scholars on Diane Di Prima, Margaret Randall, John Wieners, Jean Sénac, June Rowena KennedyEpstein, Unfinished Spirit: Muriel Rukeyser’s Twentieth Century, Cornell University Press, 2022, 224 pp., 13 illustrations, 9781501762338
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穆里尔同志
罗威娜·肯尼迪-爱泼斯坦的新书《未完成的精神:穆里尔·鲁凯泽的二十世纪》是一本令人振奋的学术著作。肯尼迪-爱泼斯坦阅读了各种类型和形式的书籍,重点关注了四个受挫的项目:鲁凯瑟在西班牙内战时期创作的小说《野蛮海岸》(Savage Coast),她生前从未出版;一系列的讲座、广播谈话和文章阐明了鲁凯瑟的性政治;与她的爱人、摄影师贝伦尼斯·艾伯特(Berenice Abbott)合作;以及人类学家弗朗茨·博阿斯的传记。在每一个案例中,Kennedy-Epstein都追溯了Rukeyser与“编辑的性别歧视,出版合同的撤销,政治谴责和嘲笑”的机智斗争(7)。这是十年档案工作的结果,几乎每一页都有来自信件,未发表的采访和旁注的证据。这些材料并没有被当作战利品来炫耀,而是融入了这本书的论点,它向我们展示了没有结果的东西不仅仅是浪费,而“浪费”本身就是一个高度意识形态化的概念。除了大量的原创读物和新鲜的解读,肯尼迪-爱泼斯坦还运用了一种不可思议的技巧,向我们展示了工作中的鲁凯瑟,她在她那个时代的灾难中思考和感受。这本书的第一部分——紧凑的三章——围绕着Rukeyser在西班牙的经历展开。1936年,她前往西班牙参加反法西斯人民奥林匹克运动会的开幕式。Rukeyser的忠实读者应该已经知道了这方面的一些情况,这在一定程度上要归功于kennedypstein自己的编辑工作。她的《野蛮海岸》(Savage Coast)于2013年与女权主义出版社(Feminist Press)合作出版,并帮助将Rukeyser的作品介绍给新一代活动家和诗人。这项恢复工作起源于纽约市立大学诗学文献倡议“失物招领”的活动,在金融危机的长期余波中,它一直激励着所有从事实验诗歌工作的人。肯尼迪-爱泼斯坦对该系列的贡献,巴塞罗那,1936年:选自穆里尔·鲁凯瑟的西班牙内战档案(2011年),与其他学者一起对黛安·迪·普里玛,玛格丽特·兰德尔,约翰·维纳斯,吉恩·萨梅纳克,琼·罗维纳·肯尼斯坦,未完成的精神:穆里尔·鲁凯瑟的二十世纪,康奈尔大学出版社,2022年,224页,13幅插图,9781501762338
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Women-A Cultural Review
Women-A Cultural Review HUMANITIES, MULTIDISCIPLINARY-
自引率
9.10%
发文量
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