Artifice and Reality in Caravaggio’s Lute Player

IF 0.2 3区 艺术学 0 ART SOURCE-NOTES IN THE HISTORY OF ART Pub Date : 2021-06-01 DOI:10.1086/716330
T. Thomas
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Abstract

In agreement that Caravaggio (1571–1610) slowly gainedmastery of space, light, and anatomy during the 1590s, scholars have analyzed his methods of pictorial formation, including his spatial anomalies and inaccuracies. Nevertheless, widely divergent accounts have been written about his approach to compositional construction. Mina Gregori saw in Caravaggio’s Lute Player (fig. 1) an advance in spatial coherence beyond his earlier works. She noted his “interest in perspective manifest in” this painting. Calling the work “perspectivally [. . .] refined,” she
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卡拉瓦乔《琵琶手》中的技巧与现实
学者们一致认为,卡拉瓦乔(1571-1610)在1590年代慢慢掌握了空间、光线和解剖学,他们分析了他的绘画形成方法,包括他的空间异常和不准确。然而,关于他的作曲方法,有很多不同的说法。米娜·格雷戈里在卡拉瓦乔的《琵琶手》(图1)中看到了他早期作品在空间连贯性方面的进步。她指出,这幅画“体现了他对透视的兴趣”。她称这部作品“从视角上看……很精致”
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20
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