Myth And Modern Uzbek Narration (few discussions on Nazar Eshonqul's "Sibizga volasi" (Sound of a pennywhistle) mythic-tale)

Otajonova Manzura Omanboyevna
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Abstract

Myth-story genre is arisen as a specific myth poetic occurrence in the result of investigations in modern Uzbek prose, it is considered sincerity result of mythological and literary thought and it is analyzed in basis of myth-story “Sibizga nolasi” by Nazar Eshonqul. Besides it, styles of mytho-ritual, mytho-existential, mytho-archetypic, mytho-linguistic and mytho-poetic styles are widely used to artistically implement the peculiarities of surrender and humanity. Especially, as a result of mytho-existential modeling of the reality a splendid opportunity to reveal the most delicate hilkat of humanity can be availed. In this paper the myth is being reiteratively interpreted as a basic and inseparable element of national artistic mentality. This is why cases of origination of new genres as "novelmyth" and "story-myth" should be explicated as researches on national identification of artistic mentality by means of mythological modeling of the authors in the literal studies are analyzed by author. Keywords: Modern Uzbek prose, folklore,myth-story, syncretism, novel-myth, mythological motif.
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神话与现代乌兹别克叙事(略论纳扎尔·埃松库尔的神话故事《一分钱哨子的声音》)
神话故事体裁是在对现代乌兹别克散文的研究中产生的一种特殊的神话诗意现象,它被认为是神话和文学思想的真诚产物,并以纳扎尔·埃松库尔的神话故事《西比兹加·诺拉西》为基础进行了分析。除此之外,神话-仪式、神话-存在、神话-原型、神话-语言、神话-诗歌等风格也被广泛运用,在艺术上体现了臣服与人性的特质。特别是,由于对现实的神话-存在主义建模,可以利用一个极好的机会来揭示人类最微妙的hilkat。在本文中,神话被反复诠释为民族艺术心理的一个基本的、不可分割的元素。因此,作者应将“小说-神话”、“故事-神话”等新体裁的起源案例阐释为对文学研究中作者神话化造型的艺术心态的民族认同研究。关键词:现代乌兹别克散文,民间传说,神话故事,融合,小说-神话,神话母题。
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