Taylor White's ‘paper museum’ (1725–1772): understanding the scientific work of an unpublished naturalist

Abstract

From approximately his election as a Fellow of the Royal Society in 1725 to his death in 1772, as the London barrister Taylor White (1701–1772) moved up the legal ladder, he commissioned, gathered, and organized a tremendous collection of zoological paintings now held in the Blacker Wood Collection of McGill University Rare Books and Archives. As White did not publish any major work during his lifetime, he has been substantially ignored in the historiography of science. By investigating the considerable painting compilation available in the collection, this article aims to understand White's scientific practice as a naturalist, working primarily from non-textual primary sources. The taxonomical work comprises the global arrangement of the plates, and the referencing practice, as well as the limited correspondence available on the English barrister, and these help to position the anonymous Taylor White within the world of naturalists at that time.