{"title":"I’m gonna wreck it, again: the false dichotomy of “healthy” and “toxic” masculinity in Ralph Breaks the Internet","authors":"Max Dosser","doi":"10.1080/15295036.2022.2067347","DOIUrl":null,"url":null,"abstract":"ABSTRACT This article examines the representation of masculinity in the animated Disney film Ralph Breaks the Internet (2018). Popular reviews of the film focused heavily on critiques of toxic masculinity. Often associated with homophobic and misogynistic speech, the concept of toxic masculinity ultimately serves to reinforce and rescue elements of hegemonic masculinity by painting “toxic” male behaviors as something that can be “cured” or “fixed.” To probe the troubled concept of toxic masculinity as seen in animated media, this article demonstrates how Ralph Breaks the Internet reifies a false dichotomy of healthy and toxic masculinity. Through examining the ways Ralph’s physical appearance, his behaviors, his manipulative relationships with women, and the film’s ultimate resolution reflect the current crisis of masculinity, this article argues that while reviews claim the film critiques toxic masculinity, the film itself actually reinscribes qualities of hegemonic masculinity. By invoking toxic masculinity in scholarship and reviews, critics obscure other critiques of masculinity films may put forward—positive and negative.","PeriodicalId":47123,"journal":{"name":"Critical Studies in Media Communication","volume":"84 1","pages":"333 - 346"},"PeriodicalIF":1.1000,"publicationDate":"2022-05-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Critical Studies in Media Communication","FirstCategoryId":"98","ListUrlMain":"https://doi.org/10.1080/15295036.2022.2067347","RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q3","JCRName":"COMMUNICATION","Score":null,"Total":0}
引用次数: 1
Abstract
ABSTRACT This article examines the representation of masculinity in the animated Disney film Ralph Breaks the Internet (2018). Popular reviews of the film focused heavily on critiques of toxic masculinity. Often associated with homophobic and misogynistic speech, the concept of toxic masculinity ultimately serves to reinforce and rescue elements of hegemonic masculinity by painting “toxic” male behaviors as something that can be “cured” or “fixed.” To probe the troubled concept of toxic masculinity as seen in animated media, this article demonstrates how Ralph Breaks the Internet reifies a false dichotomy of healthy and toxic masculinity. Through examining the ways Ralph’s physical appearance, his behaviors, his manipulative relationships with women, and the film’s ultimate resolution reflect the current crisis of masculinity, this article argues that while reviews claim the film critiques toxic masculinity, the film itself actually reinscribes qualities of hegemonic masculinity. By invoking toxic masculinity in scholarship and reviews, critics obscure other critiques of masculinity films may put forward—positive and negative.
期刊介绍:
Critical Studies in Media Communication (CSMC) is a peer-reviewed publication of the National Communication Association. CSMC publishes original scholarship in mediated and mass communication from a cultural studies and/or critical perspective. It particularly welcomes submissions that enrich debates among various critical traditions, methodological and analytical approaches, and theoretical standpoints. CSMC takes an inclusive view of media and welcomes scholarship on topics such as • media audiences • representations • institutions • digital technologies • social media • gaming • professional practices and ethics • production studies • media history • political economy. CSMC publishes scholarship about media audiences, representations, institutions, technologies, and professional practices. It includes work in history, political economy, critical philosophy, race and feminist theorizing, rhetorical and media criticism, and literary theory. It takes an inclusive view of media, including newspapers, magazines and other forms of print, cable, radio, television, film, and new media technologies such as the Internet.