Postcolonial Narratives: Literature of Migritude

IF 0.2 3区 历史学 Q2 HISTORY Rossiiskaya Istoriya Pub Date : 2022-01-01 DOI:10.18254/s207987840020227-8
T. Gavristova
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Abstract

The article is dedicated to the history of migritude, a phenomenon that arose among the African intellectual emigration at the beginning of the 21st century. Its origin is associated with the name of the Kenyan writer of Indian origin Shailja Patel, the author of poetical show (2006) and the poem under the title “Migritude” (2010). As a result, a literary movement of the same name was formed, the bias of which is connected, on the one hand, with the renewal of the format of post-colonial narratives and their themes, and, on the other hand, with the tectonic changes that have taken place on the world stage in the context of globalization. The author of the article focuses on the ego-story of Shailja Patel and its transformation, primarily due to content, into the history of an entire generation living in the era, which coincided in time with the situations of postcoloniality and postmodernity. Addressing the issues of colonialism and post-colonialism, racism, segregation and migration is not new. Eventually women joined the discussion and set themselves the task of answering the question posed by Gayatri Chakravorty Spivak in her essay “Can Subaltern Speak?” They radically changed the range of topics proposed for discussion by addressing the ideas of gender equality and the fight against stereotypes, focusing on the problems of social and professional identity without regard to ethnicity and race. The article identifies a number of the most famous authors of migritude (Fatou Diome, Christina Ali Farah, Igiaba Scego, researchers of their works Augusta Irele and Ashna Ali, etc.) and the topics they refer to. Particular emphasis is placed on their interpretation of the problem of identity in the context of the strategy of interculturalism in conjunction with the processes of globalization, liberalization, democratization and digitalization. The author comes to the conclusion that in recent years the discursive field of migritude has been forming with its own borders (within the Diaspora) and practices (primarily adaptative), terminology, intellectual and social communities, activists and sympathizers. In conditions when migration has become a marker of the modern world order migritude has become a norm for them as an opportunity to realize a number of their most important intentions, including self-realization, obtaining a profession, and achieving success.
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后殖民叙事:移民文学
这篇文章致力于研究21世纪初非洲知识分子移民中出现的一种现象——移民史。它的起源与印度裔肯尼亚作家Shailja Patel的名字有关,他是诗歌表演(2006年)和题为“Migritude”(2010年)的诗歌的作者。因此,形成了一场同名的文学运动,其偏见一方面与后殖民叙事形式及其主题的更新有关,另一方面与全球化背景下世界舞台上发生的结构性变化有关。这篇文章的作者关注的是Shailja Patel的自我故事,以及它的转变,主要是由于其内容,进入了生活在这个时代的整整一代人的历史,这与后殖民主义和后现代性的情况相吻合。解决殖民主义和后殖民主义、种族主义、种族隔离和移民问题并不新鲜。最终,女性加入了讨论,并为自己设定了回答Gayatri Chakravorty Spivak在她的文章《次等人能说话吗?》中提出的问题的任务。它们从根本上改变了提议讨论的主题范围,讨论了性别平等和反对陈规定型观念的想法,重点是社会和职业认同问题,而不考虑族裔和种族。这篇文章列出了一些最著名的移民作家(Fatou Diome, Christina Ali Farah, Igiaba Scego,以及他们作品的研究者Augusta irelle和Ashna Ali等)和他们所涉及的主题。特别强调的是他们在全球化、自由化、民主化和数字化进程的跨文化主义战略背景下对身份问题的解释。作者得出的结论是,近年来,移民的话语领域已经形成了自己的边界(在侨民内部)和实践(主要是适应性的),术语,知识分子和社会社区,活动家和同情者。在移民已成为现代世界秩序的一个标志的情况下,移民已成为他们的一种常态,作为实现他们一些最重要的意图的机会,包括自我实现、获得职业和取得成功。
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