Oil as narcotic or as medicine: the DISEASE metaphor in political cartoons on energy crisis

Xiufeng Zhao, Yuxin Wu
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Abstract

Abstract The present paper explores how the issue of the current energy crisis in the wake of the Covid-19 and Ukraine war was constructed by political cartoons. Adopting Critical Multimodal Metaphor Scenario Analysis, this paper focuses on the disease metaphor scenario, one of the most recurring scenarios in political cartoons on this topic, and specifically emphasizes how the method of treatment, one of the structural elements in the scenario, is represented. The analysis reveals that two predominant scenarios constitute the representations of the method of treatment: narcotic scenario and medicine scenario. They differ in entailments: one frames fossil energy as detrimental narcotic while the other frames it as therapeutic medicine. By means of the two scenarios, these cartoons convey strong criticism of the major involvers in the energy crisis, namely, the E.U., Russia, and the U.S. The cartoons make full use of the dynamic interplay of visual and/or verbal metonymy, metaphor, and narrative to elicit associations, assumptions and evaluations in the viewers, helping facilitate understanding and constructing a view of the crisis reality. The present analysis sheds light on the way cartoonists reshape the public point of view in the framing of specific event(s).
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石油是麻醉剂还是药物:能源危机政治漫画中的疾病隐喻
摘要:本文探讨了在新冠肺炎和乌克兰战争之后,当前的能源危机问题是如何被政治漫画所构建的。本文采用批判性多模态隐喻情景分析方法,对政治漫画中出现频率最高的疾病隐喻情景进行了分析,并具体强调了作为该情景结构要素之一的治疗方法是如何表现的。分析表明,两种主要情景构成了治疗方法的表征:麻醉情景和药物情景。他们的不同之处在于:一个将化石能源视为有害的麻醉剂,而另一个将其视为治疗药物。通过这两个场景,这些漫画表达了对能源危机主要参与者,即欧盟,俄罗斯和美国的强烈批评。漫画充分利用视觉和/或口头转喻,隐喻和叙事的动态相互作用,引发观众的联想,假设和评估,有助于促进理解和构建对危机现实的看法。本文的分析揭示了漫画家在具体事件的框架中重塑公众观点的方式。
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