The Entwinement of Spectacle and Specimen: Mount Vesuvius in the Late Eighteenth Century

IF 0.4 3区 社会学 Q4 MATERIALS SCIENCE, CHARACTERIZATION & TESTING HUNTINGTON LIBRARY QUARTERLY Pub Date : 2022-09-01 DOI:10.1353/hlq.2022.a903739
Thomas Beachdel
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Abstract

abstract:Late eighteenth-century representational strategies of Vesuvius that combine spectacular images of eruption with scientifically informed ones of natural process show a clear, yet inadequately examined connection between the aesthetic category of the sublime and natural history. Visual material, such as that found in the 1768 supplement to the Encyclopédie (1751–72) and in William Hamilton's 1779 supplement to Campi Phlegraei (1776), suggests porous boundaries between aesthetics and natural history. The entwinement of spectacle and specimen was a crucial means of comprehending and describing volcanic phenomena. Examining the relationship between the sublime and natural history furthers a more nuanced comprehension of the sublime beyond the nascent genre of landscape painting or the discrete aesthetic category. It also creates a richer understanding of natural history as it transformed into more specialized, professional—or more "scientific"—disciplines, such as geology and volcanology.
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景观与标本的交织:18世纪晚期的维苏威火山
18世纪晚期维苏威火山的再现策略将壮观的喷发图像与科学的自然过程图像相结合,显示了崇高的美学范畴与自然历史之间清晰但尚未充分研究的联系。视觉材料,如1768年《百科全书》(1751-72)的补编和1779年威廉·汉密尔顿(William Hamilton)对《Campi Phlegraei》(1776)的补编中发现的材料,表明美学和自然史之间存在着漏洞。景观与标本的结合是理解和描述火山现象的重要手段。考察崇高与自然历史之间的关系,进一步加深了对崇高的细致理解,超越了新兴的山水画流派或离散的美学范畴。随着自然历史转变为更专业、更专业或更“科学”的学科,如地质学和火山学,它也创造了对自然历史更丰富的理解。
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HUNTINGTON LIBRARY QUARTERLY
HUNTINGTON LIBRARY QUARTERLY HUMANITIES, MULTIDISCIPLINARY-
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