{"title":"The market for satirical magazines in late Francoism and the Transition (1970–84): Dissent and political opposition","authors":"Francesc Salgado de Dios","doi":"10.1386/IJIS_00028_1","DOIUrl":null,"url":null,"abstract":"This article offers a first collective history of the main satirical reviews during the Spanish Transition (La Codorniz, Hermano Lobo, Barrabás, El Papus, Por Favor and El Jueves), which comprised a publication segment aimed at expressing a barely recognized freedom of the press. The text describes the development of this sector of the non-daily press, satirical magazines, which burst onto the scene only to contract a few years later, in the early 1980s. The sector attracted a readership of its own, giving cover to a non-conformist, sometimes disenchanted editorial approach that challenged much of the so-called discourse of consensus, which was politically hegemonic in the press during the Transition.","PeriodicalId":41910,"journal":{"name":"INTERNATIONAL JOURNAL OF IBERIAN STUDIES","volume":"45 1","pages":"193-208"},"PeriodicalIF":0.2000,"publicationDate":"2020-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"INTERNATIONAL JOURNAL OF IBERIAN STUDIES","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1386/IJIS_00028_1","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q4","JCRName":"SOCIAL SCIENCES, INTERDISCIPLINARY","Score":null,"Total":0}
引用次数: 0
Abstract
This article offers a first collective history of the main satirical reviews during the Spanish Transition (La Codorniz, Hermano Lobo, Barrabás, El Papus, Por Favor and El Jueves), which comprised a publication segment aimed at expressing a barely recognized freedom of the press. The text describes the development of this sector of the non-daily press, satirical magazines, which burst onto the scene only to contract a few years later, in the early 1980s. The sector attracted a readership of its own, giving cover to a non-conformist, sometimes disenchanted editorial approach that challenged much of the so-called discourse of consensus, which was politically hegemonic in the press during the Transition.