IN HER OWN WORDS: THE SEMANTICS OF FEMALE AUTHORSHIP IN ANCIENT GREECE, FROM SAPPHO TO NOSSIS 1

IF 0.2 4区 历史学 0 CLASSICS RAMUS-CRITICAL STUDIES IN GREEK AND ROMAN LITERATURE Pub Date : 2016-12-01 DOI:10.1017/rmu.2016.8
E. Hauser
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引用次数: 7

Abstract

What we call things is important—it reveals what we think about the world. What we call ourselves, however, is even more important. It reveals ideas and assumptions about identity, gender, community. It helps us to see where we fit in in society; what we understand our purpose, our role to be; the kinds of activities we undertake. In a history where women have been largely barred from higher-paying, traditionally male occupations, the way in which women in particular use terminology to lay claim to skills and expertise in counterpoint to a generally male-dominant culture speaks volumes about the ways in which women see themselves and their relationship to their work. As Erica Jong puts it in her feminist essay, The Artist as Housewife, ‘naming is a form of self-creation’.
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用她自己的话说:古希腊女性作者身份的语义,从萨福到诺西斯
我们对事物的称呼很重要——它揭示了我们对世界的看法。然而,我们如何称呼自己更为重要。它揭示了关于身份、性别、社区的想法和假设。它帮助我们看到我们在社会中的位置;我们对自己的目标和角色的理解;我们从事的各种活动。在一段历史中,女性在很大程度上被禁止从事收入更高、传统上属于男性的职业,尤其是女性使用术语来宣称自己的技能和专业知识的方式,与普遍以男性为主导的文化形成对比,充分说明了女性看待自己及其与工作关系的方式。正如艾丽卡·容在她的女权主义文章《作为家庭主妇的艺术家》中所说,“命名是一种自我创造的形式”。
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来源期刊
CiteScore
0.40
自引率
0.00%
发文量
7
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