On two lost medieval Serbian reliquaries the staurothekai of King Stefan Uros I and Queen Helen

Danica Popović
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Abstract

This essay discusses two lost medieval Serbian staurothekai known only from written sources. One, belonging to the Serbian King Stefan Uros I, was described as a sumptuous item in the Hungarian spoils of war following their victory over the Serbian army in Macva in 1268. The other staurotheke, with an extensive inscription, was Queen Helen?s gift to the monastery of Sopocani, a foundation of her husband Uros I. Based on the available facts, it has been assumed that this reliquary came into the possession of a Serbian ruler of the House of Brankovic in the fifteenth century, eventually ending up in the Habsburg geistliche Schatzkammer and playing an important role in the Pietas austriaca programme. It is known from the surviving descriptions that the staurothekai had the shape of a two armed cross, and were made of gold and lavishly adorned with precious stones. Apart from their substantial material worth, documented with precision, both staurothekai had a distinct sacral meaning and ideological function.
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在两个丢失的中世纪塞尔维亚圣物箱上,国王斯蒂芬·乌鲁斯一世和王后海伦的雕像
这篇文章讨论了两个只从书面资料中知道的失落的中世纪塞尔维亚staurothekai。其中一件属于塞尔维亚国王斯蒂芬·乌鲁斯一世(Stefan Uros I),被描述为1268年在马卡瓦(Macva)战胜塞尔维亚军队后匈牙利战利品中的一件奢侈物品。另一尊刻有大量铭文的雕像是海伦女王。根据现有的事实,人们认为这个圣物匣在15世纪被布兰科维奇家族的塞尔维亚统治者所拥有,最终在哈布斯堡的geistliche Schatzkammer中结束,并在奥地利圣物计划中发挥了重要作用。从现存的描述中可以知道,staurothekai的形状是一个两臂的十字架,由黄金制成,并用宝石装饰。除了它们丰富的物质价值外,这两个石像都有明确的神圣意义和意识形态功能。
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