The complexity and rise of the awareness of the importance of propaganda in the Second World War, alongside improvements in the means of mass communication, influenced the emergence of institutional propaganda actions of the wartime collaborationist regime in the territory of occupied Serbia. The paper is primarily based on archive material from the Military Archives of the Ministry of Defense of the Republic of Serbia. It also includes an analysis of the methods and models of the propaganda collaborationist administration and its representatives in the period of the Council of Commissars, as well as the ?Government of National Salvation? during the entire period of occupation. It describes the formation and work of the Section for State Propaganda and its connection with the German propaganda machine, in addition to highlighting some peculiarities of the propaganda placed in the public of the occupied Serbia.
{"title":"Creation of an alternate reality: The organization and propaganda activities of the government of national salvation from 1941 until 1944","authors":"Marijana Mraović","doi":"10.2298/balc2253185m","DOIUrl":"https://doi.org/10.2298/balc2253185m","url":null,"abstract":"The complexity and rise of the awareness of the importance of propaganda in the Second World War, alongside improvements in the means of mass communication, influenced the emergence of institutional propaganda actions of the wartime collaborationist regime in the territory of occupied Serbia. The paper is primarily based on archive material from the Military Archives of the Ministry of Defense of the Republic of Serbia. It also includes an analysis of the methods and models of the propaganda collaborationist administration and its representatives in the period of the Council of Commissars, as well as the ?Government of National Salvation? during the entire period of occupation. It describes the formation and work of the Section for State Propaganda and its connection with the German propaganda machine, in addition to highlighting some peculiarities of the propaganda placed in the public of the occupied Serbia.","PeriodicalId":80613,"journal":{"name":"Balcanica (Rome, Italy)","volume":"18 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"87934921","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This essay focuses on the opening of the Italian diplomatic Legation in Belgrade in 1879 after the Serbia?s independence. This new beginning of the Serbian-Italian political relations is seen in the framework of the reorientation of the Italian foreign policy after the fall of the French Second Empire and the rise of the Imperial Germany. A great role in this process was played by Count Giuseppe Tornielli Brusati di Vergano, former Secretary General of the Minister of Foreign Affairs of the Italian Kingdom. He was entrusted to open the Italian Legation in Belgrade and in Bucharest, thus inaugurating a new phase of the Italian action in South-eastern Europe and the Eastern affairs. This question is analyzed in a broader chronological space such as the long tradition of cultural and political exchanges between Serbs and Italians during the epoch of the national Risorgimento.
{"title":"The opening of the Italian legation in Belgrade in 1879 and relations between Serbs and Italians in the 19th century","authors":"A. D'alessandri","doi":"10.2298/balc2253079a","DOIUrl":"https://doi.org/10.2298/balc2253079a","url":null,"abstract":"This essay focuses on the opening of the Italian diplomatic Legation in Belgrade in 1879 after the Serbia?s independence. This new beginning of the Serbian-Italian political relations is seen in the framework of the reorientation of the Italian foreign policy after the fall of the French Second Empire and the rise of the Imperial Germany. A great role in this process was played by Count Giuseppe Tornielli Brusati di Vergano, former Secretary General of the Minister of Foreign Affairs of the Italian Kingdom. He was entrusted to open the Italian Legation in Belgrade and in Bucharest, thus inaugurating a new phase of the Italian action in South-eastern Europe and the Eastern affairs. This question is analyzed in a broader chronological space such as the long tradition of cultural and political exchanges between Serbs and Italians during the epoch of the national Risorgimento.","PeriodicalId":80613,"journal":{"name":"Balcanica (Rome, Italy)","volume":"57 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"84075862","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Yugoslav-Italian relations between two world wars, besides the diplomatic-political, also had a very significant economic aspect. Italy was one of the most important foreign trade partners of the Kingdom of Yugoslavia, and this paper will explore the trade exchange between the two countries, especially the import of materials necessary for the textile industry, which substantially contributed to the positive balance of trade. Beside a quantitative analysis of statistical data regarding foreign trade, the paper also looks at the impact of political and economic events on the trade relations between the two countries, as well as the relation between the industrialization of Yugoslavia and changes in foreign trade.
{"title":"Yugoslav-Italian foreign trade relations 1919-1939 and the Yugoslav industry: The import of textile products from Italy","authors":"Jelena Rafailovic","doi":"10.2298/balc2253167r","DOIUrl":"https://doi.org/10.2298/balc2253167r","url":null,"abstract":"Yugoslav-Italian relations between two world wars, besides the diplomatic-political, also had a very significant economic aspect. Italy was one of the most important foreign trade partners of the Kingdom of Yugoslavia, and this paper will explore the trade exchange between the two countries, especially the import of materials necessary for the textile industry, which substantially contributed to the positive balance of trade. Beside a quantitative analysis of statistical data regarding foreign trade, the paper also looks at the impact of political and economic events on the trade relations between the two countries, as well as the relation between the industrialization of Yugoslavia and changes in foreign trade.","PeriodicalId":80613,"journal":{"name":"Balcanica (Rome, Italy)","volume":"36 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"90977211","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The article proposes a new reading and interpretation of three inscriptions engraved on small bronze plaques in the shape of tabula ansata from the Danubian limes in Upper Moesia - two from Pincum and one from Viminacium, associating the inscribed objects with the cult of Jupiter Dolichenus. The revised inscriptions also provide new data on the Roman units stationed on the Upper Moesian Danube bank, as two of the dedicators are identified as members of the ala Flaviana.
{"title":"Three votive plaques from Upper Moesia","authors":"D. Nikolic","doi":"10.2298/balc2253007n","DOIUrl":"https://doi.org/10.2298/balc2253007n","url":null,"abstract":"The article proposes a new reading and interpretation of three inscriptions engraved on small bronze plaques in the shape of tabula ansata from the Danubian limes in Upper Moesia - two from Pincum and one from Viminacium, associating the inscribed objects with the cult of Jupiter Dolichenus. The revised inscriptions also provide new data on the Roman units stationed on the Upper Moesian Danube bank, as two of the dedicators are identified as members of the ala Flaviana.","PeriodicalId":80613,"journal":{"name":"Balcanica (Rome, Italy)","volume":"30 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"78021433","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Throughout the twentieth century the International Art Exhibition Venice Biennale was seen as a major event by the art world of Belgrade and, more broadly, of Serbia and Yugoslavia. After the Second World War this biggest and most important international show of contemporary art provided Belgrade?s artists and art critics with an opportunity to acquaint themselves with the latest developments on the international art scene. At the same time, it was used as a platform for the leading figures of Belgrade?s artistic and cultural-policy establishment to create, through the exhibitions mounted in the national pavilion, an image of the country?s artistic contemporaneity aimed at achieving its desired standing in the West. The attitude of Belgrade?s art scene to the Venice Biennale went through a particularly interesting phase in the 1950s. Its transformations offer an opportunity to observe, analyse and expand the knowledge about the changes that marked that turbulent decade in the history of Serbian art, which went a long way from dogmatically exclusive socialist realism to the institutionalization of a high-modernist language as the dominant model. Based on the reconstruction of Yugoslavia?s sustained participation in the Venice Biennale (1950-60), this paper analyses the models of the representation of Serbian art in the international context of the Biennale within a broader context of the intensification of Serbian-Italian artistic contacts during the period under study.
{"title":"The Venice biennale and art in Belgrade in the 1950s. A contribution to the study of the artistic dialogue between Italy and Serbia","authors":"Ana Eres","doi":"10.2298/balc2253227e","DOIUrl":"https://doi.org/10.2298/balc2253227e","url":null,"abstract":"Throughout the twentieth century the International Art Exhibition Venice Biennale was seen as a major event by the art world of Belgrade and, more broadly, of Serbia and Yugoslavia. After the Second World War this biggest and most important international show of contemporary art provided Belgrade?s artists and art critics with an opportunity to acquaint themselves with the latest developments on the international art scene. At the same time, it was used as a platform for the leading figures of Belgrade?s artistic and cultural-policy establishment to create, through the exhibitions mounted in the national pavilion, an image of the country?s artistic contemporaneity aimed at achieving its desired standing in the West. The attitude of Belgrade?s art scene to the Venice Biennale went through a particularly interesting phase in the 1950s. Its transformations offer an opportunity to observe, analyse and expand the knowledge about the changes that marked that turbulent decade in the history of Serbian art, which went a long way from dogmatically exclusive socialist realism to the institutionalization of a high-modernist language as the dominant model. Based on the reconstruction of Yugoslavia?s sustained participation in the Venice Biennale (1950-60), this paper analyses the models of the representation of Serbian art in the international context of the Biennale within a broader context of the intensification of Serbian-Italian artistic contacts during the period under study.","PeriodicalId":80613,"journal":{"name":"Balcanica (Rome, Italy)","volume":"33 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"89458043","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Half a century ago, the author of this paper, a recent graduate, received an exchange scholarship from the Italian Ministry of Foreign Affairs for a research visit to Belgrade on the subject of self-management and the theory of the state. At that time, the central, and by no means merely theoretical, problem of Yugoslavian society was how to respond to the impact of the market on the system of self-management. In addition to the production structure, this question also affected the relations between the republics and the political centre of the state. Two serious crises were to be decided by the decisive intervention of the charismatic leader, who put an authoritarian model from another era back into force. The young scholar observed and did not understand much, but in return became familiar with a lively and hospitable city. Critical reflections would come in the years to follow.
{"title":"Belgrade 1969-1972. The uncertainties and hardships of the Yugoslav experiment in the eyes of a newly graduated Italian scholarship holder","authors":"M. Dogo","doi":"10.2298/balc2253261d","DOIUrl":"https://doi.org/10.2298/balc2253261d","url":null,"abstract":"Half a century ago, the author of this paper, a recent graduate, received an exchange scholarship from the Italian Ministry of Foreign Affairs for a research visit to Belgrade on the subject of self-management and the theory of the state. At that time, the central, and by no means merely theoretical, problem of Yugoslavian society was how to respond to the impact of the market on the system of self-management. In addition to the production structure, this question also affected the relations between the republics and the political centre of the state. Two serious crises were to be decided by the decisive intervention of the charismatic leader, who put an authoritarian model from another era back into force. The young scholar observed and did not understand much, but in return became familiar with a lively and hospitable city. Critical reflections would come in the years to follow.","PeriodicalId":80613,"journal":{"name":"Balcanica (Rome, Italy)","volume":"27 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"80989118","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Based on unpublished historical sources from the archives of the communist parties of Yugoslavia and Italy (Archives of Yugoslavia, Belgrade; Fondazione Istituto Gramsci, Archivio del Partito comunista Italiano, Rome), this paper analyzes the two last meetings of the leaders of the two parties, Josip Broz Tito and Enrico Berlinguer. The topics are Berlinguer?s two visits to Yugoslavia, in October 1977 and October 1978, which took place at the height of the inter-party alliance, after the Berlin Conference of the Communist Parties of Europe held in June 1976. The aforementioned two visits are viewed in this paper as case studies that testify to the nature of the alliance between the two parties, and illuminate the key similarities and differences between these two political actors.
{"title":"The two last encounters between Broz and Berlinguer - the epilogue of an alliance","authors":"Bogdan Zivkovic","doi":"10.2298/balc2253273z","DOIUrl":"https://doi.org/10.2298/balc2253273z","url":null,"abstract":"Based on unpublished historical sources from the archives of the communist parties of Yugoslavia and Italy (Archives of Yugoslavia, Belgrade; Fondazione Istituto Gramsci, Archivio del Partito comunista Italiano, Rome), this paper analyzes the two last meetings of the leaders of the two parties, Josip Broz Tito and Enrico Berlinguer. The topics are Berlinguer?s two visits to Yugoslavia, in October 1977 and October 1978, which took place at the height of the inter-party alliance, after the Berlin Conference of the Communist Parties of Europe held in June 1976. The aforementioned two visits are viewed in this paper as case studies that testify to the nature of the alliance between the two parties, and illuminate the key similarities and differences between these two political actors.","PeriodicalId":80613,"journal":{"name":"Balcanica (Rome, Italy)","volume":"93 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"89172934","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This article, which examines contemporaries? personal experience of illness in Renaissance Italy, is part of a growing literature which concentrates on the patient rather than the practitioner. The basis of this study is the correspondence of Pietro Bembo, the well-known humanist, papal secretary and latterly Cardinal, with his cousin Gian Matteo Bembo and his long-standing secretary and friend, Cola Bruno. These letters are revealing of how a non-medical man understood and described illness in the sixteenth century, and his personal experience associated particularly with ?mal delle reni?, which he shared with his friends and recommended treatments. It also reveals his attitude towards medical practitioners, ranging from scepticism to fully embracing new therapies such as Holy Wood, which was used to treat the new epidemic disease of the Great Pox. Indeed he shared his enthusiasm for the efficacy of this drug with his great friend the physician Girolamo Fracastoro, the author of Syphilis, the poem which he dedicated to Bembo, and also of the treatise De contagione et contagiosis morbis (1546).
{"title":"Experiencing disease and medical treatment in renaissance Italy: Cardinal Pietro Bembo and his circle","authors":"J. Henderson, V. Zivkovic","doi":"10.2298/balc2253045h","DOIUrl":"https://doi.org/10.2298/balc2253045h","url":null,"abstract":"This article, which examines contemporaries? personal experience of illness in Renaissance Italy, is part of a growing literature which concentrates on the patient rather than the practitioner. The basis of this study is the correspondence of Pietro Bembo, the well-known humanist, papal secretary and latterly Cardinal, with his cousin Gian Matteo Bembo and his long-standing secretary and friend, Cola Bruno. These letters are revealing of how a non-medical man understood and described illness in the sixteenth century, and his personal experience associated particularly with ?mal delle reni?, which he shared with his friends and recommended treatments. It also reveals his attitude towards medical practitioners, ranging from scepticism to fully embracing new therapies such as Holy Wood, which was used to treat the new epidemic disease of the Great Pox. Indeed he shared his enthusiasm for the efficacy of this drug with his great friend the physician Girolamo Fracastoro, the author of Syphilis, the poem which he dedicated to Bembo, and also of the treatise De contagione et contagiosis morbis (1546).","PeriodicalId":80613,"journal":{"name":"Balcanica (Rome, Italy)","volume":"14 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"80842499","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The First World War brought radical changes to the political map of Europe and took more than 15 million lives on both warring sides. This conflict of unprecedented proportions has left deep traces on the lives of people who found themselves in a whirlwind of war. Therefore, it is no wonder that the theme of war was present in various types of human creativity - through literature (especially autobiographical genres), art, but also popular culture, where movies rightly took centre stage. Even during the period 1914-1918, the film became the main weapon of propaganda. Through this instrument, the message was able to reach quickly a large number of people, regardless of their social status and level of education. After 1918, the film served as a popular medium through which the memory of war events was preserved. The first movies exuded the anti-war spirit at the moment when post-war Europe was facing long-term economic consequences that had surfaced. Pacifist messages could be seen in different film productions, which to a large extent looked up to Hollywood, the most significant film industry in the world. The same was in the case of smaller allied countries such as Greece and Serbia, which both paved a different path of development due to the complexity of historical processes conducted in these Balkan countries. This paper aims to point out these different developments and shed light on lesser-known facts about Yugoslav and Greek WWI cinematography.
{"title":"Movies about the First World War: Shaping the collective memory. Cases of Serbian/Yugoslav and Greek cinematography","authors":"Jasmina Tomasevic","doi":"10.2298/balc2253095t","DOIUrl":"https://doi.org/10.2298/balc2253095t","url":null,"abstract":"The First World War brought radical changes to the political map of Europe and took more than 15 million lives on both warring sides. This conflict of unprecedented proportions has left deep traces on the lives of people who found themselves in a whirlwind of war. Therefore, it is no wonder that the theme of war was present in various types of human creativity - through literature (especially autobiographical genres), art, but also popular culture, where movies rightly took centre stage. Even during the period 1914-1918, the film became the main weapon of propaganda. Through this instrument, the message was able to reach quickly a large number of people, regardless of their social status and level of education. After 1918, the film served as a popular medium through which the memory of war events was preserved. The first movies exuded the anti-war spirit at the moment when post-war Europe was facing long-term economic consequences that had surfaced. Pacifist messages could be seen in different film productions, which to a large extent looked up to Hollywood, the most significant film industry in the world. The same was in the case of smaller allied countries such as Greece and Serbia, which both paved a different path of development due to the complexity of historical processes conducted in these Balkan countries. This paper aims to point out these different developments and shed light on lesser-known facts about Yugoslav and Greek WWI cinematography.","PeriodicalId":80613,"journal":{"name":"Balcanica (Rome, Italy)","volume":"7 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"89674801","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Slobodan Jovanovic made frequent stays in Italy since his earliest childhood, which contributed to his thorough and comprehensive understanding of Italian history, politics, science, culture and arts. His father, Vladimir Jovanovic, maintained close contact with Mazzini, whose liberal nationalism he embraced and followed. Some of their closest family members resided in Rome during the First World War, because Vladimir Jovanovic?s sonin-law, Mihailo Ristic, served as Serbia?s minister to Italy (1914-17). For about half a century Slobodan Jovanovic was an interpreter of Italian political history, of its influence on Serbian and Yugoslav history, and of the work of Italian statesmen and theorists, notably Machiavelli. In the 1930s he taught a doctoral course on Italian public law and corporate system. After the Second World War he lived in exile in London. Some of the works he published there showed that some solutions in the constitution of socialist Yugoslavia, presented as an original invention, had already existed in interwar Italian corporate law.
{"title":"Italy in the writings of Slobodan Jovanovic","authors":"B. Milosavljevic","doi":"10.2298/balc2253141m","DOIUrl":"https://doi.org/10.2298/balc2253141m","url":null,"abstract":"Slobodan Jovanovic made frequent stays in Italy since his earliest childhood, which contributed to his thorough and comprehensive understanding of Italian history, politics, science, culture and arts. His father, Vladimir Jovanovic, maintained close contact with Mazzini, whose liberal nationalism he embraced and followed. Some of their closest family members resided in Rome during the First World War, because Vladimir Jovanovic?s sonin-law, Mihailo Ristic, served as Serbia?s minister to Italy (1914-17). For about half a century Slobodan Jovanovic was an interpreter of Italian political history, of its influence on Serbian and Yugoslav history, and of the work of Italian statesmen and theorists, notably Machiavelli. In the 1930s he taught a doctoral course on Italian public law and corporate system. After the Second World War he lived in exile in London. Some of the works he published there showed that some solutions in the constitution of socialist Yugoslavia, presented as an original invention, had already existed in interwar Italian corporate law.","PeriodicalId":80613,"journal":{"name":"Balcanica (Rome, Italy)","volume":"19 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"73365898","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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