Turkish Alevi Poetry in the Twentieth Century: The Fusion of Political and Religious Identities

Q1 Arts and Humanities Alif Pub Date : 2003-01-01 DOI:10.2307/1350078
Markus Dressler
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引用次数: 13

Abstract

This article examines Turkish Alevi poetry in the twentieth century focusing on how the Alevi community integrates political issues within a traditionally religious genre. The figure of Kemal Ataturk, the state ideology of Kemalism, and the acts of violence the Alevi community have experienced under the Republic are recurring themes in this poetry. A contextual interpretation of Alevi poems contradicts our commonsense understanding of the supposedly distinct categories of religion and politics. The Alevi worldview does not operate with notions of "sacred" versus "profane" and indeed challenges our conception of religion and politics as distinct categories. The Alevi case provides us with a fascinating example of how we are caught in our terminological categories when we ignore the worldview of our subjects. ********** [R]eligious studies as a cognitive discipline may actually distort or reduce that which it is claiming to investigate. As an example of this we shall consider the possibility that the secular framework upon which the modern discipline of religious studies is founded may actually subordinate religious phenomena and emic explanations of it to a secular meta-discourse. (Richard King, Orientalism and Religion, 42f.) Entering Alevi spaces, such as association buildings, private living rooms, or cemevis, (1) one is very often confronted by a surprising visual arrangement: the portraits of the two Alevi saints, Ali and Haci Bektas, accompanied by that of Kemal Ataturk, the founding father and first president of the Turkish Republic, whose picture is almost omnipresent in Turkey. (2) Ataturk is commonly understood as a symbol for the state ideology of Kemalism, especially its key republican and secularist principles. Some Alevis, however, not only strongly uphold these republican and secularist principles, but also give them a religious meaning. These Alevis honor Ataturk as a saint, and also embed laicism and certain themes of republican history into their religious narrative. About twenty percent of Turkish citizens are estimated to be of "Alevi" background. (3) The label "Alevism," referring to the veneration of the first Shiite Imam Ali, became popular at the beginning of the twentieth century, when it was applied to a number of regional socio-religious communities with similar beliefs, rituals, and social structures. (4) The aim of the present paper is to investigate the fusion of religious and political identities of Alevism by examining Alevi religious poems of the twentieth century. Poetry is the medium in which this fusion is the most apparent. The medium of the poem offers a distinct voice that--through the use of the stylistic devices of metaphors and analogies--allows the formulation of positions not necessarily expressible in prose. I will look at the ways political issues are framed in these poems. Categorized according to topics, the given examples of Alevi poetry will illustrate the embedding of a variety of political themes in religious contexts. To provide the background of the poems, it will first be necessary to outline some basic information about Alevi beliefs and history, as well as the role and the place of poetical tradition in Alevism. On a theoretical level, the goal here is to offer a sufficient explanation for the incorporation of political symbols and incidents into the religious narrative of Alevism. I will argue that the phenomenon has to be understood in the context of the societal developments of the twentieth century and the Alevi interpretation of these developments. However, I do not consider the historical approach alone as a sufficient explanation. There are particular aspects of the Alevi worldview that have to be taken into account. As I will try to show, the Alevi worldview has no proper equivalents for a paradigmatic way of thinking that explores religion by reference to dichotomous notions like religious/secular, religious/political or sacred/profane--especially if these notions are conceptualized in an essentialist manner. …
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二十世纪的土耳其阿勒维诗歌:政治与宗教身份的融合
本文检视二十世纪土耳其阿勒维派诗歌,聚焦于阿勒维派社群如何将政治议题融入传统宗教流派。凯末尔·阿塔图尔克的形象、凯末尔主义的国家意识形态,以及阿莱维社区在共和国统治下所经历的暴力行为,都是这首诗中反复出现的主题。对阿勒维诗歌的上下文解释与我们对宗教和政治的不同类别的常识性理解相矛盾。阿列维的世界观没有“神圣”与“亵渎”的概念,而且确实挑战了我们将宗教和政治作为不同类别的概念。Alevi的案例为我们提供了一个有趣的例子,说明当我们忽视了研究对象的世界观时,我们是如何陷入术语范畴的。********** [R]宗教研究作为一种认知学科实际上可能扭曲或减少它声称要调查的内容。作为这方面的一个例子,我们将考虑这样一种可能性,即现代宗教研究学科赖以建立的世俗框架,实际上可能将宗教现象及其主观解释从属于世俗元话语。(理查德·金,《东方主义与宗教》,42页)进入阿勒维空间,如协会建筑、私人客厅或墓地,人们经常会遇到一种令人惊讶的视觉安排:两位阿勒维圣人阿里和哈奇·贝克塔斯的肖像,旁边是土耳其共和国的开国之父和第一任总统凯末尔·阿塔图尔克的肖像,他的照片在土耳其几乎无处不在。(2)阿塔图尔克通常被理解为凯末尔主义国家意识形态的象征,特别是其关键的共和主义和世俗主义原则。然而,一些阿拉维派不仅强烈支持这些共和主义和世俗主义原则,而且赋予它们宗教意义。这些阿列维把阿塔图尔克尊为圣人,并将世俗主义和共和历史的某些主题嵌入他们的宗教叙事中。据估计,大约20%的土耳其公民有“阿拉维派”背景。(3)“阿列维主义”这个标签,指的是对第一位什叶派伊玛目阿里的崇拜,在20世纪初开始流行起来,当时它被应用于许多具有类似信仰、仪式和社会结构的区域性社会宗教团体。(4)本文旨在通过对二十世纪阿勒维派宗教诗歌的考察,探讨阿勒维派宗教身份与政治身份的融合。诗歌是这种融合最明显的媒介。诗歌的媒介提供了一种独特的声音,通过使用隐喻和类比的风格手段,使得在散文中不一定能表达的立场得以形成。我会看看政治问题是如何在这些诗中被框定的。根据主题分类,阿勒维诗歌的例子将说明各种政治主题在宗教背景下的嵌入。为了提供这些诗歌的背景,首先有必要概述一些关于阿勒维信仰和历史的基本信息,以及诗歌传统在阿勒维主义中的作用和地位。在理论层面上,这里的目标是为将政治符号和事件纳入阿列维主义的宗教叙事提供一个充分的解释。我认为,这种现象必须在20世纪的社会发展和阿勒维派对这些发展的解释的背景下理解。然而,我不认为历史的方法本身是一个充分的解释。阿勒维世界观有一些特殊的方面必须考虑进去。正如我将试图展示的那样,阿列维世界观没有合适的范例思维方式,它通过参照宗教/世俗、宗教/政治或神圣/世俗等二分概念来探索宗教——特别是如果这些概念是以本质主义的方式概念化的。…
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Alif
Alif Arts and Humanities-Literature and Literary Theory
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