Cultural diplomacy of non-aligned Yugoslavia: Reflections of a forgotten heritage

N. Radonjic
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Abstract

Cultural diplomacy of Yugoslavia 1945-1991 is often represented through its socialist, European or westernization aspects. However, one specific characteristic of this multinational federation is often overlooked. Non-alignment was the main axis of the Yugoslav foriegn policy from c. 1956 to 1989. This foreign policy doctrine made possible a wide array of networks to be formed with the newly liberated post-colonial states of Africa, Asia and Latin America. This paper presents a short history of these networks. The given examples present Yugoslav-African cooperation in the fields of museology, literature, artistic and intellectual exchange, exhibitions and institutions created based on this cooperation - such as the Museum of African Art in Belgrade. Yugoslavia was very present on the African continent and signed official cultural cooperation treaties with over 30 of its nation states. Belgrade and the rest of the Yugoslav federation was extremly receptive of initiatives from the non-aligned and, to the limits of their infrastructural and financial possibilities, supported them. The specificities of socialist Yugoslavia, however, made possible for a decentralization of cultural cooperation. The paper also examines the most recent interpretations of Non-Aligned heritage and history in lieu of events following the 60th anniversary of the Belgrade Conference and the Jubilee Conference of the Non-Aligned (Belgrade, October 2021). A special emphasis is placed upon the analysis of two exhibitions - The Non-Aligned World in the Museum of African Art, and the Prometheans of the New Century in the Museum of Yugoslavia. The last part of the text elaborates on the renewal of these old trends of cooperation and gives some thought to the reach and possiblities of cultural diplomacy in the post-colonial space of Africa, Asia and Latin America, highlighting recent examples from the Republic of Serbia and its neighbours. In a globalised world and with Serbia rapidly forming partners on all continents, these links should be re-examined and renewed.
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不结盟南斯拉夫的文化外交:对被遗忘遗产的反思
南斯拉夫1945-1991年的文化外交通常通过其社会主义、欧洲或西方化的方面来表现。然而,这个多国联盟的一个具体特点往往被忽视。不结盟是1956年至1989年南斯拉夫外交政策的主轴。这一外交政策原则使得与非洲、亚洲和拉丁美洲新解放的后殖民国家形成广泛的网络成为可能。本文简要介绍了这些网络的历史。所举出的例子是南斯拉夫-非洲在博物馆学、文学、艺术和知识交流、展览和在这种合作基础上建立的机构方面的合作- -例如贝尔格莱德的非洲艺术博物馆。南斯拉夫在非洲大陆非常活跃,并与非洲30多个民族国家签署了正式的文化合作条约。贝尔格莱德和南斯拉夫联邦其他国家非常接受不结盟国家的倡议,并在其基础设施和财政能力的限度内支持这些倡议。但是,社会主义南斯拉夫的特点使文化合作的权力下放成为可能。本文还考察了以贝尔格莱德会议60周年和不结盟国家50周年会议(2021年10月,贝尔格莱德)为背景,对不结盟国家遗产和历史的最新解读。特别强调的是对两个展览的分析-非洲艺术博物馆的不结盟世界和南斯拉夫博物馆的新世纪普罗米修斯。正文的最后一部分详细阐述了这些旧的合作趋势的复兴,并对非洲、亚洲和拉丁美洲后殖民空间中文化外交的范围和可能性作了一些思考,突出了塞尔维亚共和国及其邻国最近的例子。在一个全球化的世界中,随着塞尔维亚在各大洲迅速结成伙伴,这些联系应得到重新审查和更新。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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