Music for good: Reflections on a community music project through the lens of historical nostalgia

IF 0.9 4区 艺术学 0 MUSIC International Journal of Community Music Pub Date : 2020-01-01 DOI:10.1386/ijcm_00021_1
Helen J. English, J. Davidson
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引用次数: 6

Abstract

This study investigates a large-scale community project that called for a long preparation period and involved over a hundred participants. The researchers were interested in the contributory factors that led participants and leaders to commit and persevere with the project, for which there were almost two years of planning and five months of rehearsals. The project related a suppressed wartime history and had re-enactment aspects. Interpretative phenomenological analysis methodology was used to engage participants in sharing their lived experiences. Through focus group sessions, a theme of restoration emerged, among other themes that are frequently expressed in community music groups, such as social and emotional well-being. A deep emotional engagement with the project centred on historical restoration, which aligned with personal restoration experiences. Restoration was closely linked to storytelling and three other themes of personal growth, connections and self-discovery/journey. In light of this theme and the historical basis for the community project, the researchers chose to examine the findings through the lens of historical nostalgia.
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音乐为善:通过历史怀旧的镜头对社区音乐项目的反思
本研究调查了一个大型社区项目,该项目需要很长时间的准备,涉及100多名参与者。研究人员对促使参与者和领导者承诺并坚持这项项目的因素很感兴趣,这项项目有近两年的计划和五个月的排练。该项目涉及被压抑的战争历史,并具有重现的方面。解释性现象学分析方法被用来吸引参与者分享他们的生活经验。通过焦点小组会议,在社区音乐团体中经常表达的其他主题中,例如社会和情感健康,出现了一个恢复的主题。对该项目的深刻情感参与以历史修复为中心,这与个人修复经验相一致。修复与讲故事和其他三个主题密切相关,即个人成长、联系和自我发现/旅程。鉴于这一主题和社区项目的历史基础,研究人员选择通过历史怀旧的视角来检验这些发现。
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来源期刊
CiteScore
1.70
自引率
42.90%
发文量
16
期刊介绍: The International Journal of Community Music publishes research articles, practical discussions, timely reviews, readers'' notes and special issues concerning all aspects of community music. The editorial board is composed of leading international scholars and practitioners spanning diverse disciplines that reflect the scope of community music practice and theory. This journal is double-blind peer-reviewed in order to maintain the highest standards of scholastic integrity.
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