Gilmer Mesa’s La cuadra as Narco Decameron

Q2 Arts and Humanities Revista de Estudios Colombianos Pub Date : 2022-06-24 DOI:10.53556/rec.vi59.212
Aldona Bialowas Pobutsky
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Abstract

Gilmer Mesa’s novel La cuadra (2016) constitutes a painful “insider” testimony into how working-class Medellín neighborhoods were transformed into breeding grounds for hitmen in the 1980s. The narrator’s older brother joined the gang of the infamous Prisco brothers, who served as lieutenants in Pablo Escobar’s armies of sicarios. It is his brief life and that of other teenage cuadra friends that inhabit Mesa’s violent narrative universe. This essay compares Mesa’s novel to Bocaccio’s The Decameron in that both texts present an intricate mosaic of a society in-the-making and un-making. Transitions to a new historical reality punctuate both texts, wherein La cuadra shocks both the readers and its very protagonists when teenage horseplay turns to rape and murder. Likewise, the Black Plague in The Decameron, the narrative frame for its one hundred tales, is replaced with a narco epidemic which contaminates and corrupts neighborhoods, families, and individuals alike, putting their morality and allegiances to test.
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吉尔默·梅萨的《毒品十日谈》
吉尔默·梅萨(Gilmer Mesa)的小说《瓜德拉》(La cuadra, 2016)是一个痛苦的“内幕”证词,揭示了20世纪80年代工人阶级Medellín社区是如何变成杀手滋生地的。叙述者的哥哥加入了臭名昭著的普里斯科兄弟的帮派,他们在巴勃罗·埃斯科瓦尔的杀手军队中担任中尉。正是他短暂的一生和其他十几岁的瓜德拉朋友们生活在梅萨的暴力叙事宇宙中。这篇文章将梅萨的小说与薄伽丘的《十日谈》进行了比较,因为这两篇文章都呈现了一个正在形成和正在解体的社会的错综复杂的马赛克。这两篇文章都穿插着向新的历史现实的过渡,当十几岁的少年闹着玩变成强奸和谋杀时,La cuadra震惊了读者和它的主角。同样地,《十日谈》中的黑死病,也就是它的一百个故事的叙事框架,被一种毒枭流行病所取代,这种流行病污染和腐蚀了社区、家庭和个人,考验了他们的道德和忠诚。
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来源期刊
Revista de Estudios Colombianos
Revista de Estudios Colombianos Arts and Humanities-Literature and Literary Theory
CiteScore
0.30
自引率
0.00%
发文量
29
期刊介绍: Revista de Estudios Colombianos (REC) is an indexed and peer-reviewed journal that has been published bi-annually since 1986. Its mission and research scope is to promote the study of Colombia in the humanities and in the social sciencies with a view to promoting academic and cultural exchanges amongst disciplines (e.g., art, literature, philosophy, cultural studies, history, sociology, political science, media studies, environmental studies).
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