Narration on ethnic jewellery of Kerala-focusing on design, inspiration and morphology of motifs

Wendy Yothers, R. Gangadharan
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Abstract

Artefacts in the form of Jewellery reflect the essence of the lifestyle of the people who create and wear them, both in the historic past and in the living present. They act as the connecting link between our ancestors, our traditions, and our history. Jewellery is used--both in the past and the present-- to express the social status of the wearer, to mark tribal identity, and to serve as amulets for protection from harm. This paper portrays the ethnic ornaments of Kerala with insights gained from examples of Jewellery conserved in the Hill Palace Museum and Kerala Folklore Museum, in Cochin, Kerala. Included are Thurai Balibandham, Gaurisankara Mala, Veera Srunkhala, Oddyanam, Bead necklaces, Nagapadathali and Temple Jewellery. Whenever possible, traditional Jewellery is compared with modern examples to illustrate how--though streamlined, traditional designs are still a living element in the Jewellery of Kerala today.
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喀拉拉邦民族珠宝叙事——以图案的设计、灵感和形态为中心
珠宝形式的人工制品反映了创造和佩戴它们的人的生活方式的本质,无论是在历史上的过去还是在生活的现在。它们是连接我们祖先、传统和历史的纽带。无论是过去还是现在,珠宝都被用来表达佩戴者的社会地位,标志着部落身份,并作为免受伤害的护身符。本文描绘了喀拉拉邦的民族饰品,并从位于喀拉拉邦科钦的山宫博物馆和喀拉拉邦民俗博物馆保存的珠宝实例中获得了见解。包括Thurai Balibandham, Gaurisankara Mala, Veera Srunkhala, Oddyanam,珠项链,Nagapadathali和寺庙珠宝。只要有可能,传统珠宝就会与现代珠宝进行比较,以说明传统设计虽然流线型,但在今天的喀拉拉邦珠宝中仍然是一个活生生的元素。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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