{"title":"冠状病毒图像的传播:有助于保持社会距离?","authors":"Bettina Bock von Wülfingen","doi":"10.1002/bewi.202200052","DOIUrl":null,"url":null,"abstract":"<p>As soon as the SARS-Cov2 disease was recognized by experts to potentially cause a serious pandemic, a three dimensional diagrammatic image of the virus, colored in strong red, conquered public media globally.</p><p>This study confronts this iconic virus image with a historic image analysis of 33,000 biomedical articles on coronaviruses published between 1968–2020 and interviews with some of their authors.</p><p>Only a small fraction of scientific virus publications entail images of the complete virus. Red as an alarm color is not used at all by scientists who don't aim for a non-scientific public.</p><p>Circulation in this case concerns the movement of iconic images from a scientific context into a general public. On the basis of hps-studies on scientific diagrams and especially on color use in scientific diagrams to convey specific messages in public, the paper discusses the role of the claim of public corona-virus diagram as “scientific.”</p><p>It points at relevant differences between most frequent scientific corona-virus images and the diagrammatic image used in public. Both author- and readerships (in science and public) follow contrasting aims and values. Thus, the images meet non-expert readers for whom the images entail very different – and potentially unintended – meanings then to virus experts.</p>","PeriodicalId":55388,"journal":{"name":"Berichte zur Wissenschaftsgeschichte","volume":"46 2-3","pages":"259-282"},"PeriodicalIF":0.6000,"publicationDate":"2023-08-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://onlinelibrary.wiley.com/doi/epdf/10.1002/bewi.202200052","citationCount":"0","resultStr":"{\"title\":\"Circulation of Coronavirus Images: Helping Social Distancing?\",\"authors\":\"Bettina Bock von Wülfingen\",\"doi\":\"10.1002/bewi.202200052\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"<p>As soon as the SARS-Cov2 disease was recognized by experts to potentially cause a serious pandemic, a three dimensional diagrammatic image of the virus, colored in strong red, conquered public media globally.</p><p>This study confronts this iconic virus image with a historic image analysis of 33,000 biomedical articles on coronaviruses published between 1968–2020 and interviews with some of their authors.</p><p>Only a small fraction of scientific virus publications entail images of the complete virus. Red as an alarm color is not used at all by scientists who don't aim for a non-scientific public.</p><p>Circulation in this case concerns the movement of iconic images from a scientific context into a general public. On the basis of hps-studies on scientific diagrams and especially on color use in scientific diagrams to convey specific messages in public, the paper discusses the role of the claim of public corona-virus diagram as “scientific.”</p><p>It points at relevant differences between most frequent scientific corona-virus images and the diagrammatic image used in public. Both author- and readerships (in science and public) follow contrasting aims and values. Thus, the images meet non-expert readers for whom the images entail very different – and potentially unintended – meanings then to virus experts.</p>\",\"PeriodicalId\":55388,\"journal\":{\"name\":\"Berichte zur Wissenschaftsgeschichte\",\"volume\":\"46 2-3\",\"pages\":\"259-282\"},\"PeriodicalIF\":0.6000,\"publicationDate\":\"2023-08-16\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"https://onlinelibrary.wiley.com/doi/epdf/10.1002/bewi.202200052\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Berichte zur Wissenschaftsgeschichte\",\"FirstCategoryId\":\"98\",\"ListUrlMain\":\"https://onlinelibrary.wiley.com/doi/10.1002/bewi.202200052\",\"RegionNum\":2,\"RegionCategory\":\"哲学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q2\",\"JCRName\":\"HISTORY & PHILOSOPHY OF SCIENCE\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Berichte zur Wissenschaftsgeschichte","FirstCategoryId":"98","ListUrlMain":"https://onlinelibrary.wiley.com/doi/10.1002/bewi.202200052","RegionNum":2,"RegionCategory":"哲学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q2","JCRName":"HISTORY & PHILOSOPHY OF SCIENCE","Score":null,"Total":0}
Circulation of Coronavirus Images: Helping Social Distancing?
As soon as the SARS-Cov2 disease was recognized by experts to potentially cause a serious pandemic, a three dimensional diagrammatic image of the virus, colored in strong red, conquered public media globally.
This study confronts this iconic virus image with a historic image analysis of 33,000 biomedical articles on coronaviruses published between 1968–2020 and interviews with some of their authors.
Only a small fraction of scientific virus publications entail images of the complete virus. Red as an alarm color is not used at all by scientists who don't aim for a non-scientific public.
Circulation in this case concerns the movement of iconic images from a scientific context into a general public. On the basis of hps-studies on scientific diagrams and especially on color use in scientific diagrams to convey specific messages in public, the paper discusses the role of the claim of public corona-virus diagram as “scientific.”
It points at relevant differences between most frequent scientific corona-virus images and the diagrammatic image used in public. Both author- and readerships (in science and public) follow contrasting aims and values. Thus, the images meet non-expert readers for whom the images entail very different – and potentially unintended – meanings then to virus experts.
期刊介绍:
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