{"title":"小房间里的政治:皮格利亚的埃尔卡米诺德伊达的地下通天塔","authors":"D. Kelman","doi":"10.3138/ycl.63.005","DOIUrl":null,"url":null,"abstract":"Abstract:Ricardo Piglia's El camino de Ida (2013) is a meditation on the global shift from a political sovereignty that depends on visibility and height to a mode of political action that is as violent as it is \"invisible.\" In other words, we witness a shift from the Tower of Babel to what Franz Kafka called \"the pit of Babel,\" a digging downwards that is also a mode of construction. While the age of literary modernity is very familiar with the figure of the isolated writer, political theory would have us believe that this drive toward a \"pit of Babel\" precludes political action. Nevertheless, Piglia's emphasis on the role of literature—and even \"comparative literature\"—in the story of the Unabomber (or \"the Recycler\" in the novel) allows Piglia to think through a notion of politics in the age of the \"loner,\" a politics that emerges from a small room.","PeriodicalId":342699,"journal":{"name":"The Yearbook of Comparative Literature","volume":"37 7","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2020-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Politics in a Small Room: Subterranean Babel in Piglia's El camino de Ida\",\"authors\":\"D. Kelman\",\"doi\":\"10.3138/ycl.63.005\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract:Ricardo Piglia's El camino de Ida (2013) is a meditation on the global shift from a political sovereignty that depends on visibility and height to a mode of political action that is as violent as it is \\\"invisible.\\\" In other words, we witness a shift from the Tower of Babel to what Franz Kafka called \\\"the pit of Babel,\\\" a digging downwards that is also a mode of construction. While the age of literary modernity is very familiar with the figure of the isolated writer, political theory would have us believe that this drive toward a \\\"pit of Babel\\\" precludes political action. Nevertheless, Piglia's emphasis on the role of literature—and even \\\"comparative literature\\\"—in the story of the Unabomber (or \\\"the Recycler\\\" in the novel) allows Piglia to think through a notion of politics in the age of the \\\"loner,\\\" a politics that emerges from a small room.\",\"PeriodicalId\":342699,\"journal\":{\"name\":\"The Yearbook of Comparative Literature\",\"volume\":\"37 7\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2020-06-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"The Yearbook of Comparative Literature\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.3138/ycl.63.005\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"The Yearbook of Comparative Literature","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.3138/ycl.63.005","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
摘要
摘要:里卡多·皮格利亚(Ricardo Piglia)的《伊达之路》(2013)是对全球从依赖可见性和高度的政治主权向一种与“无形”一样暴力的政治行动模式转变的思考。换句话说,我们见证了从巴别塔到弗朗茨·卡夫卡(Franz Kafka)所说的“巴别坑”(the pit of Babel)的转变,一种向下挖掘,也是一种建筑模式。虽然文学现代性时代对孤立作家的形象非常熟悉,但政治理论会让我们相信,这种对“巴别塔”的驱使排除了政治行动。尽管如此,皮格利亚在《炸弹客》(或小说中的“回收者”)的故事中强调了文学——甚至是“比较文学”——的作用,这让皮格利亚能够思考“孤独者”时代的政治概念,一种从小房间里浮现出来的政治。
Politics in a Small Room: Subterranean Babel in Piglia's El camino de Ida
Abstract:Ricardo Piglia's El camino de Ida (2013) is a meditation on the global shift from a political sovereignty that depends on visibility and height to a mode of political action that is as violent as it is "invisible." In other words, we witness a shift from the Tower of Babel to what Franz Kafka called "the pit of Babel," a digging downwards that is also a mode of construction. While the age of literary modernity is very familiar with the figure of the isolated writer, political theory would have us believe that this drive toward a "pit of Babel" precludes political action. Nevertheless, Piglia's emphasis on the role of literature—and even "comparative literature"—in the story of the Unabomber (or "the Recycler" in the novel) allows Piglia to think through a notion of politics in the age of the "loner," a politics that emerges from a small room.