“那些该死的脏猿”:Netflix的《雨伞学院》和《猿人的进化》

J. Fuller
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摘要

网飞公司的热门科幻系列《雨伞学院》提出了一个新的问题,即我们熟悉的猿人比喻是如何被改编成当代观众的。通过19世纪科幻小说的代表作品——儒勒·凡尔纳的《神秘岛》、罗伯特·路易斯·史蒂文森的《化身博士怪案》、h·g·威尔斯的《莫罗博士之岛》和埃德加·赖斯·巴勒斯的《人猿泰山》——来追溯猿人的形象,可以发现在维多利亚时代,这个角色经常被用来拷问种族、性别和权力的观念。猿人的形象不仅仅是19世纪进化论辩论的替身,它反映了关于人类和他们的“动物本能”之间关系的文化观念,不断质疑是什么让人类在动物的等级中脱颖而出。
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“Those damned, dirty apes”: Netflix’s The Umbrella Academy and the Evolution of the Ape-Man
Netflix’s popular science fiction series The Umbrella Academy raises new questions about how the familiar trope of the ape-man has been adapted for a contemporary audience. Tracing the figure of the ape-man through representative works of nineteenth-century science fiction—Jules Verne’s The Mysterious Island, Robert Louis Stevenson’s Strange Case of Dr Jekyll and Mr Hyde, H. G. Wells’s The Island of Dr Moreau, and Edgar Rice Burroughs’s Tarzan of the Apes—shows that the character has often been used to interrogate ideas of race, gender, and power across the Victorian age. More than just a stand-in for nineteenth-century evolutionary debates, the figure of the ape-man reflects cultural ideas about the relationship between humans and their “animal instincts,” constantly questioning what sets humans apart in the hierarchy of animals.
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