{"title":"召唤骗子:平凡的非凡幻觉","authors":"B. Rappert","doi":"10.46692/9781529213102.008","DOIUrl":null,"url":null,"abstract":"This chapter examines how entertainment magic and the notion of impostering can inform each other. It does so through considering how assessments of skill and perception are constituted in interactions between performers and audiences. A main plank of the argument derives from a self-study of the acquisition of skill.","PeriodicalId":358805,"journal":{"name":"The Imposter as Social Theory","volume":"15 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2021-05-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Conjuring Imposters: The Extraordinary Illusions of Mundanity\",\"authors\":\"B. Rappert\",\"doi\":\"10.46692/9781529213102.008\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This chapter examines how entertainment magic and the notion of impostering can inform each other. It does so through considering how assessments of skill and perception are constituted in interactions between performers and audiences. A main plank of the argument derives from a self-study of the acquisition of skill.\",\"PeriodicalId\":358805,\"journal\":{\"name\":\"The Imposter as Social Theory\",\"volume\":\"15 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2021-05-26\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"The Imposter as Social Theory\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.46692/9781529213102.008\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"The Imposter as Social Theory","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.46692/9781529213102.008","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Conjuring Imposters: The Extraordinary Illusions of Mundanity
This chapter examines how entertainment magic and the notion of impostering can inform each other. It does so through considering how assessments of skill and perception are constituted in interactions between performers and audiences. A main plank of the argument derives from a self-study of the acquisition of skill.
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