ELO和电光乐团:Prog Rock的电子文学课程

M. Kirschenbaum
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引用次数: 4

摘要

离开电子文学组织(Electronic Literature Organization)董事会大约十年后,基尔申鲍姆又回来了,在波尔图举行的2017年电子文学组织会议上,他将该组织与短暂的进步摇滚时代的关系精确地并列在一起,令人惊讶。其结果是一种想象力的过度,其唯一的先驱(在印刷学术上)可能是马克·温加滕和泰森·科雷尔的《答案是肯定》(2013),其中包括20世纪80年代著名小说家里克·穆迪和乔·梅诺,音乐家内森·拉尔森和彼得·凯斯,以及音乐历史学家吉姆·罗加蒂斯(这里引用)。这篇课文是那次谈话的略加修改的文字记录。Kirschenbaum的演讲伴随着坚实的声音墙,在印刷中是不可复制的。
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ELO and the Electric Light Orchestra: Electronic Literature Lessons from Prog Rock
Roughly a decade after having cycled off the board of the Electronic Literature Organization, Kirschenbaum returned to deliver, at the 2017 ELO meeting in Oporto, an eerily accurate juxtaposition of the Organization’s affinities with the short-lived era of progressive rock. The result is an imaginative excess whose only precursor (in print scholarship) might be Mark Weingarten’s and Tyson Correl’s Yes in the Answer (2013), featuring acclaimed novelists of the 1980s such as Rick Moody and Joe Meno, musicians such as Nathan Larson, and Peter Case, and the music historian, Jim DeRogatis, cited here. This text is a lightly revised transcript of the talk. Not reproducible, in print, is the solid wall of sound that accompanied Kirschenbaum’s presentation.
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ELO and the Electric Light Orchestra: Electronic Literature Lessons from Prog Rock The Heaviness of Light Electronic Literature as Paratextual Construction The End Just Not the Future: Electronic Literature after the Fall
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