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ELO and the Electric Light Orchestra: Electronic Literature Lessons from Prog Rock ELO和电光乐团:Prog Rock的电子文学课程
Pub Date : 2018-08-10 DOI: 10.14195/2182-8830_6-2_2
M. Kirschenbaum
Roughly a decade after having cycled off the board of the Electronic Literature Organization, Kirschenbaum returned to deliver, at the 2017 ELO meeting in Oporto, an eerily accurate juxtaposition of the Organization’s affinities with the short-lived era of progressive rock. The result is an imaginative excess whose only precursor (in print scholarship) might be Mark Weingarten’s and Tyson Correl’s Yes in the Answer (2013), featuring acclaimed novelists of the 1980s such as Rick Moody and Joe Meno, musicians such as Nathan Larson, and Peter Case, and the music historian, Jim DeRogatis, cited here. This text is a lightly revised transcript of the talk. Not reproducible, in print, is the solid wall of sound that accompanied Kirschenbaum’s presentation.
离开电子文学组织(Electronic Literature Organization)董事会大约十年后,基尔申鲍姆又回来了,在波尔图举行的2017年电子文学组织会议上,他将该组织与短暂的进步摇滚时代的关系精确地并列在一起,令人惊讶。其结果是一种想象力的过度,其唯一的先驱(在印刷学术上)可能是马克·温加滕和泰森·科雷尔的《答案是肯定》(2013),其中包括20世纪80年代著名小说家里克·穆迪和乔·梅诺,音乐家内森·拉尔森和彼得·凯斯,以及音乐历史学家吉姆·罗加蒂斯(这里引用)。这篇课文是那次谈话的略加修改的文字记录。Kirschenbaum的演讲伴随着坚实的声音墙,在印刷中是不可复制的。
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引用次数: 4
Electronic Literature as Paratextual Construction 作为准文本结构的电子文学
Pub Date : 2018-08-10 DOI: 10.14195/2182-8830_6-1_1
F. W. Block
The following discussion aims to reflect on how electronic literature and affiliated or related fields describe themselves paratextually. I will argue that the social construction of ‘electronic literature’ is dominated by its systemic self-description. The paratextual construction basically works with the ascription of the genre name ‘electronic literature’ and discursive descriptions or reflections to phenomena of artistic practice and has been institutionalized in no small part by the Electronic Literature Organization. The argument is developed by observing paratextual practices in founding narratives, archives and collections related to the ELO. This perspective is contextualized by looking at self-descriptions in the pre-history of e-lit within the artistic program of poietic experimentation.
下面的讨论旨在反思电子文学及其附属或相关领域如何对自己进行意译描述。笔者认为,“电子文学”的社会建构是由其系统的自我描述所主导的。“电子文学”这一体裁名称的归属,以及对艺术实践现象的话语性描述或反思,基本上是双文本的建构,并在很大程度上被电子文学组织制度化了。该论点是通过观察与ELO相关的创始叙述,档案和收藏中的双文本实践而发展起来的。这一观点是通过在诗歌实验的艺术程序中观察电子照明的史前自我描述而被语境化的。
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引用次数: 1
The Heaviness of Light 光明之重
Pub Date : 2018-08-10 DOI: 10.14195/2182-8830_6-2_1
E. Tisselli
This text explores the material implications of electronic reading and writing in the Anthropocene. It does so by briefly examining the consequences that the production and usage of electronic devices has on ecosystems and social contexts. Different perspectives on how a reader or writer may deal with the negative effects of sociotechnical systems are offered: restraint, pharmacological awareness and togetherness. Such perspectives can be transformed into reading and writing tools for the Anthropocene that may allow readers and writers of electronic literature to integrate the notion of an extended community, that is, an intimate and paradoxical complicity with nearby and remote humans and non-humans, and invite them into the digital text.
这篇文章探讨了电子阅读和写作在人类世的物质含义。它通过简要审查电子设备的生产和使用对生态系统和社会环境的影响来做到这一点。关于读者或作者如何处理社会技术系统的负面影响,提供了不同的观点:克制、药理学意识和团结。这样的观点可以转化为人类世的阅读和写作工具,它可以让电子文学的读者和作者整合一个扩展社区的概念,即与附近和远处的人类和非人类亲密而矛盾的共通,并邀请他们进入数字文本。
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引用次数: 0
The End 结束
Pub Date : 1900-01-01 DOI: 10.5040/9781474286787-058
B. Mchale
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引用次数: 0
03 gathering 03年聚会
Pub Date : 1900-01-01 DOI: 10.5040/9781474286787-022
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引用次数: 0
06 gathering 06年聚会
Pub Date : 1900-01-01 DOI: 10.5040/9781474286787-045
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引用次数: 0
Just Not the Future: Electronic Literature after the Fall 不是未来:衰落后的电子文学
Pub Date : 1900-01-01 DOI: 10.5040/9781474286787-063
Stuart Moulthrop
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引用次数: 0
ebr news—ghouls’ night out edition
Pub Date : 1900-01-01 DOI: 10.5040/9781474286787-021
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引用次数: 0
Less Is More 少即是多
Pub Date : 1900-01-01 DOI: 10.5040/9781474286787-015
J. Baetens
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引用次数: 0
04 gathering 04年聚会
Pub Date : 1900-01-01 DOI: 10.5040/9781474286787-028
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引用次数: 0
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