生活在一个充满恐惧和无法解释的邪恶的世界:杰西·詹姆斯的暗杀,懦夫罗伯特·福特(2007

John White
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引用次数: 0

摘要

这一章的重点是我们现在生活在恐惧文化中。在这个很大程度上被媒体控制的空间里,我们沉迷于邪恶的想法,认为邪恶是无法解释的,而不是求助于宗教和神秘主义的概念,并将其视为潜伏在社会中的无处不在。这一章探讨了在《杰西·詹姆斯被刺杀》(2007)中,杰西·詹姆斯一方面被视为基督,另一方面又被视为邪恶的化身。有人认为,观众面对的是一个令人困惑的(对观众来说,也是令人困惑的)文本。这部电影是媒体和社会的产物,他们普遍不愿意接受社会条件在个性形成中所起的作用。我们在这部电影中看到的杰西·詹姆斯的表现的关键含义是,人们应该被视为生来如此,而不是从他们的生活经历中被创造出来。
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Living in a World of Fear and Inexplicable Evil: The Assassination of Jesse James by the Coward Robert Ford (2007)1
This chapter focuses on the idea that we now live within a fear culture. Within this largely media-controlled space, we become obsessed with the idea of evil as inexplicable other than be recourse to concepts of religion and mysticism and see it as lurking everywhere within society. The chapter explores confused way in which Jesse James is seen in The Assassination of Jesse James by the Coward Robert Ford (2007) as on the one hand Christ-like and on the other as the embodiment of evil. It is argued that the spectator is confronted by a confused (and, for the viewer, confusing) text. This film is the product of a media and a society that is generally unwilling to accept the role social conditions play in the formation of individual character. The crucial implication of the representation of Jesse James we have in this film is that people should be seen as being born as they are, rather than as being created out of the circumstances of their experience of life.
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Living in a World of Fear and Inexplicable Evil: The Assassination of Jesse James by the Coward Robert Ford (2007)1 Restoring the Western Hero and Reclaiming the Classic Hollywood Experience: True Grit (2010) Defending Home, Defending Homeland: Jane Got a Gun (2016) Reclaiming the Heroes and Heroic Attitudes of Classic Westerns: Open Range (2003) Affect and the Immersive Experience of Bodily Excess: The Revenant (2015)
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