S. Sobieraj
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摘要

这篇文章介绍了Bolesław Leśmian的诗歌的解读,其中可以找到森林的主题。最初,Leśmian诗歌中的森林是一种精神状态的象征:忧郁、渴望和悲伤,这是青年波兰诗歌的特征,主要是由卡齐米日·普采尔瓦·泰特马耶所支持的。然后,在《果园》的诗中,他宣布了人与自然结合的计划,以及对原始本能的转向,这将在下一卷中带来。一首重要的诗是《绿时》。这就是生活在自然、人类文明和上帝这三个世界之间的人类的存在悲剧的奥秘。在这里,我们可以看到现实主义象征主义思想的揭示,它涉及到寻找不同实体之间的中介。然而,他并没有得出这样的结论,因为所描述事件的主角受到了个体化原则的影响。只有在《橡树》和《欲望》的诗中,以及《草地》的其他作品中,对这一原则的放弃,才显示出森林的空间是人类之间和解的地方。在解释中,我们注意到Leśmian的宇宙起源概念是受到弗里德里希·尼采和亨利·柏格森哲学思想的启发。
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Topos lasu w poezji Bolesława Leśmiana. Natura – człowiek – Bóg
The article presents interpretations of poems by Bolesław Leśmian, where a motif of the forest can be found. Initially, the forest in Leśmian's poetry appears as symbolism of spiritual states: melancholy, longing and sadness, which are the characteristic features of the Young Poland poetry, which was primarily patronized by Kazimierz Przerwa-Tetmajer. Then, in the poems from Orchard, he announces the project of a union of human and nature and a turn towards the original instinctuality, the implementation of which the next volume will bring. Aa essential text is the poem Green Hour. This is the mystery of the existential tragedy of the human who lives on the border between the worlds: nature, human civilization and God. Here we can see the unveiling of the idea of realistic symbolism, which involves the search for mediation between different entities. However, he does not come to it because of the fact that the protagonist of the described events is under the influence of principio individuationis. Only the resignation from this principle - which occurs in the poems of Oak and Desire, and in other works of The Meadow - shows the space of the forest as a place of reconciliation between beings. In the interpretation, it was noticed that Leśmian's cosmogonic concepts were inspired by the philosophical thought of Friedrich Nietzsche and Henri Bergson.
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