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Der moderne Mann auf der Reise… Hanns-Josef Ortheils Sizilien 这次旅行的现代人物汉尼斯约瑟夫·德赛尔的西西里
Pub Date : 2023-10-20 DOI: 10.34739/clit.2023.17.12
Katarzyna Grzywka-Kolago
Hanns-Josef Ortheil poświęcił Sycylii dwa utwory: Das Kind, das nicht fragte (2012) oraz Die Insel der Dolci. In den süßen Paradiesen Siziliens (2015). Pierwszy z nich to powieść z motywami autobiograficznymi, natomiast drugi – opowiadanie podróżnicze przedstawiające doświadczenia, które pisarz zdobył podczas podróży po wyspie. Obydwa teksty łączy zarówno refleksja na temat specyfiki Sycylii i ‘sycylijskości’, jak też ‘bajkowość’, jaka charakteryzuje ukazaną w nich wizję wyspy, choć w obydwu z nich ‘bajkowość’ nie oznacza dokładnie tego samego.
汉斯-约瑟夫-奥泰尔(Hanns-Josef Ortheil)为西西里岛献上了两部作品:Das Kind, das nicht fragte》(2012 年)和《Die Insel der Dolci.In den süßen Paradiesen Siziliens》(2015 年)。前者是一部带有自传色彩的小说,后者则是一部旅行短篇小说,描写了作者在岛上旅行时的经历。这两部作品的联系在于对西西里岛的特殊性和 "西西里性 "的反思,以及作品中所描绘的西西里岛的 "童话般 "特质,尽管在这两部作品中,"童话般 "的含义并不完全相同。
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引用次数: 0
Słowo – Obraz – Dźwięk 文字-图像-声音
Pub Date : 2023-10-20 DOI: 10.34739/clit.2023.17.15
Ewa Kozak
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引用次数: 1
Neviditeľné postavy. Fikcionalizácia prekladu a tlmočenia v umeleckej literatúre, ed. Zuzana Bariaková, Paulína Šedíková Čuhová, Ružomberok 2022 看不见的人物。The Fictionalization of Translation and Interpretation in Fiction》,Zuzana Bariaková, Paulína Šedíková Čuhová 编辑,Ružomberok 2022 年。Zuzana Bariaková, Paulína Šedíková Čuhová, Ružomberok 2022
Pub Date : 2023-10-20 DOI: 10.34739/clit.2023.17.18
Jozef Tatár
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引用次数: 0
«Травмированная маскулинность» в романе Саши Филипенко "Кремулятор" 萨沙·菲利彭科小说《火葬场》中的“精神创伤”
Pub Date : 2023-10-20 DOI: 10.34739/clit.2023.17.10
Ирина Банах
Данная статья посвящена исследованию репрезентации советской маскулинности в романе русскоязычного белорусского писателя Саши Филипенко «Кремулятор». На примере мужских образов романа рассматриваются основные признаки «травмированной маскулинности», свойственной гендерной политике сталинского режима. Выявляются такие признаки «маскулинности травмы», как уязвимость, безвластность и депривированная сексуальность.
这篇文章是关于苏联在俄语作家萨莎·菲利彭科的小说《火葬场》中的表现。在男性形象中,人们看到了斯大林政权性别政策中“受创伤的群众”的主要迹象。有“创伤的质量”的迹象,如脆弱性、无力性和退行性。
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引用次数: 0
Mužské postavy v prozaickom svete Vandy Rozenbergovej 万达-罗曾伯格散文世界中的男性角色
Pub Date : 2023-10-20 DOI: 10.34739/clit.2023.17.04
Zuzana Bariaková
The paper analyses the depiction of male characters in the selected texts of the Slovak author Vanda Rozenbergová. Most of the attention is focused on a specific set of problems – on young/adolescent male characters within certain family and partner configurations and on the segments of childhood/adolescence displayed in Rozenbergová’s three books: Slobodu bažantom (Freedom to Pheasants) (2015), Muž z jamy a deti z lásky (The Man out of a Hole and the Children out of Love) (2017), and Zjedol som Lautreca (I Ate Lautrec) (2021), not only because they offer a very good insight into her general style of writing, but also due to her assessment of the character/hero of our times and forms of masculinity in contemporary literature. The interpreted prose largely deals with adolescence as an important period during which the a child turns into an adult. Rozenbergerová’s non-adult protagonists often represent the cathartic aspect of an insensitive society which lacks the sense of fellowship as well as empathy. Their meaning of life and its value is represented by almost epistemological privilege in the child’s ability to see what cannot be seen by the adult.
本文分析了斯洛伐克作家Vanda rozenbergov选集中对男性角色的描写。大部分的注意力都集中在一组特定的问题上——在特定的家庭和伴侣配置中的年轻/青春期男性角色,以及在rozenbergov的三本书中展示的童年/青春期的片段:斯洛博杜bažantom(野鸡的自由)(2015),穆兹·杰米·德蒂兹lásky(从洞里出来的男人和爱的孩子)(2017),和Zjedol som劳特雷克(我吃劳特雷克)(2021),不仅因为他们提供了一个非常好的洞察她的写作风格,还因为她对我们这个时代的人物/英雄和当代文学中男性气质的形式的评估。这些被解读的散文主要是把青春期作为一个重要的时期,在这个时期,一个孩子变成了一个成年人。rozenbergerov的非成人主人公通常代表了一个缺乏友谊和同理心的麻木社会的宣泄面。他们的生命意义和价值几乎体现在认识论上的特权上,即孩子有能力看到成年人看不到的东西。
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引用次数: 0
Witold Hulewicz: tłumacz i popularyzator twórczości R.M. Rilkego – epizod wileński 维托尔德-胡勒维茨:里尔克作品的翻译者和普及者 - 维尔纽斯插曲
Pub Date : 2023-10-20 DOI: 10.34739/clit.2023.17.14
Adriana Pogoda-Kołodziejak
Przyjaźń między Witoldem Hulewiczem a Reinerem Marią Rilke przekraczała nie tylko granice artystyczne, lecz przede wszystkim narodowościowe. Hulewicz ukazał Polsce poezję Rainera Marii Rilkego. Był nie tylko tłumaczem, ale też jako pierwszy w Polsce z pełnym poświęceniem rozpowszechniał twórczość literacką Rilkego. Polski tłumacz starał się połączyć ze sobą dwa światy świat literatury niemieckiej z polskim światem w Wilnie, w którym próbował znaleźć miejsce na swoją działalność propagatorską. Często nie dostawał on wsparcia od swoich rodaków ale zawsze mógł liczyć na dobre słowo Rilkego. Obaj pisarze rezygnowali z obowiązującej wizji tożsamości narodowej, by wyeliminować negatywne nastawienie dwóch narodów względem siebie.
维托尔德-胡勒维茨和赖纳-玛丽亚-里尔克之间的友谊不仅跨越了艺术的界限,更跨越了国家的界限。胡勒维奇将赖纳-玛丽亚-里尔克的诗歌引入波兰。他不仅是一位翻译家,也是波兰第一位全心全意传播里尔克文学作品的人。这位波兰翻译家试图在维尔纽斯将德国文学界和波兰文学界两个世界融合在一起,他试图在维尔纽斯为自己的传播活动找到一席之地。他常常得不到同胞的支持,但里尔克的好话总是可以信赖的。为了消除两个民族对彼此的负面态度,两位作家都放弃了普遍的民族认同观念。
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引用次数: 0
Beletristická rekonštrukcia portrétu Štefana Krčméryho z posledných rokov života (Anton Baláž, Povedz slovo čisté, 2017) 虚构重建斯特凡-克尔克梅里生命最后几年的肖像(Anton Baláž,《Povedz slovo čist》,2017 年)
Pub Date : 2023-10-20 DOI: 10.34739/clit.2023.17.11
Jozef Tatár
The novel’s portrayal of an unknown part of the life of Štefan Krčméry (1892 – 1955), his stay in a psychiatric asylum (1949–1955), belongs to the category of rare topics in contemporary Slovak fiction. In the novel Povedz slovo čisté, Anton Baláž gradually uncovers Krčméry’s complex, dramatic internal life through depictions of the onset and overcoming of apathetic states in the narrative, which also contains a series of diary entries by Júlia Orlovská, Krčméry’s attending physician. These entries record his lasting commitment to such values as the nation, religious faith, creative freedom, and the liberating space of literature. Carefully revealing his thoughts, attitudes and desires, Baláž completes the image of Krčméry as that of an artist, scientist, and preacher, who tries to hold on to these values even at the end of his life journey. Karol Matulay, the director of the treatment center in Pezinok, who is closely monitored by the new totalitarian regime, perceives him as a person with a „liberated imagination” or creative freedom, which can serve as a model for the „crouched imagination of Bratislava’s literati”. While the image of the final stage of Krčméry’s life seems more static, the fictitious character of Jakub Daňo, an ambitious student interested the world of literature, appears as a more dynamic and emotionally active character. According to the author, Krčméry confronts himself with the emotional experience of situations in time and space contained in his memory, with the time against which he is powerless and deprived of human dignity, due to his illness, but free. As a historical and sociological document, Baláž’s novel Povedz slovo čisté (2017) did not generate the „hero/heroes” of the current chaotic digital age; instead, the motivation behind his characters’ actions and behavior is timeless, while its empirical and epistemological value for the present-day reader is indisputable.
这部小说描写了Štefan kr姆萨梅(1892 - 1955)生活中不为人知的一部分,他在精神病院的生活(1949-1955),属于当代斯洛伐克小说中罕见的题材。在小说《Povedz slovo ist》中,安东Baláž通过叙述中对冷漠状态的开始和克服的描述,逐渐揭示了kr姆姆杰里复杂而戏剧性的内心生活,其中还包含了kr姆杰里的主治医生Júlia orlovsk的一系列日记。这些作品记录了他对国家、宗教信仰、创作自由和文学解放空间等价值观的持久承诺。Baláž仔细地揭示了他的思想、态度和欲望,完成了kr姆萨姆杰作为艺术家、科学家和传教士的形象,即使在他生命旅程的尽头,他也试图坚持这些价值观。佩济诺克治疗中心主任卡罗尔·马图莱(Karol Matulay)受到新的极权主义政权的密切监视,她认为他是一个拥有“解放想象力”或创作自由的人,可以作为“布拉迪斯拉发文人的蜷曲想象力”的典范。虽然kr姆萨梅生命的最后阶段的形象似乎是静态的,但虚构的角色Jakub Daňo,一个对文学世界感兴趣的雄心勃勃的学生,似乎是一个更有活力和情感活跃的角色。根据提交人的说法,kr姆萨伊姆面对的是他记忆中所包含的时间和空间情境的情感体验,面对的是他无能为力和因病而被剥夺了人性尊严的时间,但他是自由的。作为一份历史和社会学文献,Baláž的小说《Povedz slovo ist》(2017)并没有产生当前混乱的数字时代的“英雄/英雄”;相反,他笔下人物的行动和行为背后的动机是永恒的,而它对当今读者的经验和认识论价值是无可争辩的。
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引用次数: 0
Problémom nie sú muži, ale ľudia 问题不在于人,而在于人
Pub Date : 2023-10-20 DOI: 10.34739/clit.2023.17.01
Martina Kubealaková
The concepts of gender, gender role, gender identity, gender stereotypes, and the relationships between them are explained in the introduction of the study. The main topic is focused on essays about the relationship between masculinity and femininity, its genesis, and consequences in the contemporary life authored by the professor of ancient history at the University of Cambridge Mary Beard, the French writer Michel Houellebecq, and Jessa Crispin, the editor-in-chief of Bookslut. The essays resolve male-female power relations differently. Mary Beard offers the concept of over-gender, i.e. universality freed from the conditioning of gender identity.Michel Houellebecq dreams about human cloning and creating a new nature based on a single law, which is the moral law. Jessa Crispin prefers the world of equality based on humanity, built on the ruins of patriarchy, and shared by all people without distinction.
在本研究的导言部分,对性别、性别角色、性别认同、性别刻板印象的概念以及它们之间的关系进行了解释。主要主题集中在剑桥大学古代史教授玛丽·比尔德(Mary Beard)、法国作家米歇尔·维勒贝克(Michel Houellebecq)和《Bookslut》主编杰莎·克里斯平(Jessa Crispin)撰写的关于男性气质和女性气质之间的关系、其起源以及在当代生活中的影响的文章上。这些文章以不同的方式解决了男女权力关系。玛丽·比尔德提出了“过度性别”的概念,即从性别认同的制约中解放出来的普遍性。Michel Houellebecq梦想着克隆人类,创造一个基于单一法则的新自然,这就是道德法则。Jessa Crispin更喜欢一个基于人性的平等世界,建立在父权制的废墟上,所有人不分青红皂白地共享。
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引用次数: 0
Bohater peryferyjnej Europy. Mężczyźni w podróżniczej prozie Andrzeja Stasiuka 欧洲周边的英雄安杰伊-斯塔修克旅行散文中的男人
Pub Date : 2023-10-20 DOI: 10.34739/clit.2023.17.03
Walentyna Krupowies
This analysis focuses on male figures in Andrzej Stasiuk's travel prose, including both Dukla and Going to Babadag, as well as references to Galician Tales. These are not fully-formed literary characters, but men encountered by Stasiuk during his numerous travels across Central-Eastern Europe. By describing these encounters, the writer creates a collective portrait of people that are linked to a specific time and place. The men in these texts are inhabitants of the deep provinces of Central-Eastern Europe in the 1990s and at the turn of the 21st century. The descriptions in regard to appearance, manners, occupation, and the like, allow us totalk about the condition of men in Eastern Europe along with their dependence on the peripheral location.
本文主要分析安德烈·斯塔苏克游记中的男性形象,包括《杜克拉》和《去巴巴达格》,以及对加利西亚故事集的参考。这些都不是完全成形的文学人物,而是斯塔西乌克在多次游历中东欧时遇到的人。通过描述这些遭遇,作者创造了一幅与特定时间和地点有关的人们的集体肖像。这些文本中的男人是20世纪90年代和21世纪之交中东欧偏远省份的居民。通过对外表、举止、职业等方面的描述,我们可以讨论东欧男性的状况,以及他们对周边地区的依赖。
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引用次数: 0
Figurationen der Männlichkeit in Clemens Setz’ Werk 克莱门斯-塞茨作品中的男性形象
Pub Date : 2023-10-20 DOI: 10.34739/clit.2023.17.05
Maciej Jędrzejewski
Clemens Setz przedstawia w swoich dziełach różne formy męskości, która bywa wielopostaciowa, często oscylującą między skrajnościami, np. męskość przesadnie brutalna lub pasywno-kobieca. Z koncepcjami męskości korespondują między innymi reprezentacje kulturowego atawizmu czy ogólnego negatywizmu. Poruszany jest również problem dysonansu ojca z synem oraz motywy homoseksualne.
克莱门斯-塞茨在其作品中描绘了各种形式的男子气概,这些气概可以是多种形式的,经常在两个极端之间摇摆,例如过度暴力或被动女性化的男子气概。除其他外,文化顽固性或普遍消极性的表现也与男性气质的概念相对应。父子失和问题和同性恋主题也得到了探讨。
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引用次数: 0
期刊
Conversatoria Litteraria
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