{"title":"中国茶馆音乐的数字表现","authors":"Corey Moore","doi":"10.30819/5319.17","DOIUrl":null,"url":null,"abstract":"\n Platforms such as YouTube feature materials titled “Teahouse in Ancient China - Historical Ambience\nXXABSTRACT Music” or “Tea Ceremony Music”. Prima facie, these have parallels with the modern Western\nconcept of the “coffee shop playlist”, which has become quite commonplace as a study or work\naid. However, the passive listening habits associated with these kinds of playlists contrast with\nthe varied entertainment culture experienced in the functioning teahouses of modern China,\nwhere performative aspects are the focus, for example.\nIn this paper, I explore how Chinese teahouse music is presented on YouTube, drawing\ncomparisons between playlists accompanied by static images and samples of recorded\nperformances found on the platform. Finally, I discuss the potential problems arising from such\nrepresentations of the Chinese teahouse.\n\n","PeriodicalId":167203,"journal":{"name":"Wie wir leben wollen. Kompendium zu Technikfolgen von Digitalisierung, Vernetzung und Künstlicher Intelligenz","volume":"31 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2021-11-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Digital Representations of Chinese Teahouse Music\",\"authors\":\"Corey Moore\",\"doi\":\"10.30819/5319.17\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"\\n Platforms such as YouTube feature materials titled “Teahouse in Ancient China - Historical Ambience\\nXXABSTRACT Music” or “Tea Ceremony Music”. Prima facie, these have parallels with the modern Western\\nconcept of the “coffee shop playlist”, which has become quite commonplace as a study or work\\naid. However, the passive listening habits associated with these kinds of playlists contrast with\\nthe varied entertainment culture experienced in the functioning teahouses of modern China,\\nwhere performative aspects are the focus, for example.\\nIn this paper, I explore how Chinese teahouse music is presented on YouTube, drawing\\ncomparisons between playlists accompanied by static images and samples of recorded\\nperformances found on the platform. Finally, I discuss the potential problems arising from such\\nrepresentations of the Chinese teahouse.\\n\\n\",\"PeriodicalId\":167203,\"journal\":{\"name\":\"Wie wir leben wollen. Kompendium zu Technikfolgen von Digitalisierung, Vernetzung und Künstlicher Intelligenz\",\"volume\":\"31 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2021-11-21\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Wie wir leben wollen. Kompendium zu Technikfolgen von Digitalisierung, Vernetzung und Künstlicher Intelligenz\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.30819/5319.17\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Wie wir leben wollen. Kompendium zu Technikfolgen von Digitalisierung, Vernetzung und Künstlicher Intelligenz","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.30819/5319.17","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Platforms such as YouTube feature materials titled “Teahouse in Ancient China - Historical Ambience
XXABSTRACT Music” or “Tea Ceremony Music”. Prima facie, these have parallels with the modern Western
concept of the “coffee shop playlist”, which has become quite commonplace as a study or work
aid. However, the passive listening habits associated with these kinds of playlists contrast with
the varied entertainment culture experienced in the functioning teahouses of modern China,
where performative aspects are the focus, for example.
In this paper, I explore how Chinese teahouse music is presented on YouTube, drawing
comparisons between playlists accompanied by static images and samples of recorded
performances found on the platform. Finally, I discuss the potential problems arising from such
representations of the Chinese teahouse.