德国拉斯金威尼斯的古董市场

Michela Agazzi
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摘要

拉斯金第一次去威尼斯的时候,这座城市还处于奥地利的统治之下,在很长一段时间里,威尼斯的许多中世纪艺术品被传播开来。这些物品引起了市场的兴趣,市场必须满足几个要求,包括旨在创建博物馆和唤起人们回忆的地方的高标准委托。普鲁士的弗雷德里克·威廉(Frederick William)在19世纪40年代大量购买意大利的一些古代中世纪雕塑就是这种情况:在这些雕塑中,我们可以发现一些威尼斯的杰作都是从同一个商人(Pajaro)那里购买的。腓特烈·威廉的兄弟查尔斯也购买了几件威尼斯艺术品,以复制格列尼克宫的威尼斯回廊。最后,波茨坦的和平教堂装饰着从穆拉诺购买的马赛克,曾经是被拆毁的圣塞普里安教堂的一部分。
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Il mercato antiquariale nella Venezia di Ruskin L’arte medievale in Germania
Ruskin made his first trips to Venice when the city was under the Austrian domination, a long period which witnessed the dispersion of many Venetian medieval artworks. These items became of interest to a market which had to meet several requests, including high-standard commissions aimed at creating museums and evocative places. This is the case with the massive purchase by Frederick William of Prussia, in the 1840s, of some ancient medieval sculptures in Italy: among them we can find some Venetian masterpieces all bought from the same trader (Pajaro). Frederick William’s brother as well, Charles, bought several Venetian artworks to replicate a Venetian cloister in the Glienicke Palace. Finally, the Church of Peace in Potsdam is adorned with a mosaic bought in Murano, once part of the demolished Saint Cyprian Church.
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John Ruskin, un œil européen La photographie, la peinture, l’écriture et l’énigme de la visibilité Edited by Ruskin: Francesca Alexander’s Roadside Songs of Tuscany Ce qui commence à Calais : l’Europe, terrain de jeu de Ruskin Il mercato antiquariale nella Venezia di Ruskin L’arte medievale in Germania John Ruskin’s Europe. A Collection of Cross-Cultural Essays With an Introductory Lecture by Salvatore Settis
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