通过电影中的环城模式描述残疾人家庭的社会污名

Maria Claudia Wahyu Trihastuti, R. Marta, Hana Panggabean, M. Fernandes
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引用次数: 1

摘要

电影《从零到英雄》讲述香港短跑运动员苏华伟夺得1996-2008残奥会冠军的真实故事。本研究旨在识别基于语音(单词)、图像、图像和声音、单词和手势/肢体语言、图像和手势/肢体语言、图像和物体、单词和物体的符号来构建意义。本研究通过应用与家庭成员和社区的有效沟通来确定母亲在控制凝聚力和灵活性维度平衡方面的作用。凝聚力和灵活性的维度是基于奥尔森的圆周模型描述的家庭功能。通过母亲形象的沟通维度的亲子互动在Circumplex模型中起着重要作用。其分析方法是依托于建构主义范式的翁贝托·艾柯的符号学。结果表明,基于Olson的Circumplex模型,《从零到英雄》电影包含了三种有意义的符号,即言语形式的符号、言语与肢体语言的符号、言语与对象的符号。
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Describing social stigma of disability’s family through circumplex model on film
The biographical film, Zero to Hero, shows the true story of Hong Kong sprinter So Wa Wai who won the 1996-2008 Paralympic Olympics. This study aims to identify signs to build meaning based on speech (words), images, images and sounds, words and gestures/body language, images and gestures/body language, images and objects, and words and objects. Identification of the mother's role in controlling the balance of the dimensions of cohesion, and flexibility through the application of effective communication with family members and the community is illustrated in this study. Dimensions of cohesion and flexibility that is based on Olson's Circumplex model describing family functions. Parenting interactions through the communication dimension of the mother figure play an important role in the Circumplex model. The analytical method used is Umberto Eco's semiotics which relies on the constructivism paradigm. The results showed that the Zero to Hero film contains three meaningful signs based on Olson's Circumplex model, namely signs in the form of speech, speech and body language, and speech and objects.
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