女性主义精神的延续:爱丽丝·沃克小说选集中的互文性

Jesmin Ruhina
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引用次数: 0

摘要

本研究运用关系内容分析方法,结合互文性、交叉性和女性主义理论,探讨美国黑人小说家艾丽斯·沃克小说选集中女性主义精神的延续性。它试图探讨沃克在《格兰奇·科普兰的第三次生活》(1970)、《子午线》(1976)、《紫色》(1982)、《我熟悉的神庙》(1989)和《拥有快乐的秘密》(1992)中对女性主义作为互文隐喻的运用;沃克在《紫色》中把茜莉-舒格塑造成一对完美的女性主义者夫妇,在《天宫》中又以母树的形象出现;《第三人生》和《圣殿》中以祖先为榜样;沃克在《紫色》、《神庙》和《附身》中讲述和重述扎西一生遭受女性生殖器切割(FGM)的痛苦——这是本文的主题。
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Continuity of Womanist Ethos: Intertextuality in Select Novels of Alice Walker
This study uses the relational content analysis method and theories of intertextuality, intersectionality, and womanism to explore the continuity of womanist ethos in select novels of the African-American novelist Alice Walker. It attempts to explore Walker’s use of womanism as an intertextual trope in The Third Life of Grange Copeland (1970), Meridian (1976), The Color Purple (1982), The Temple of My Familiar (1989) and Possessing the Secret of Joy (1992); Walker’s portrayal of Celie-Shug as a perfect womanist couple in Color Purple and their reappearance in Temple as mother trees; foremothers as role models in Third Life and Temple; Walker’s telling and retelling of Tashi’s life-long suffering from female genital mutilation (FGM) in Color Purple, Temple, and Possessing – the subject of this paper.
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