Ekphrasis。帕维尔·扎尔茨曼的两幅水彩画

B.K. Barmankulova
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引用次数: 0

摘要

《五头》(1929-1930)和《广场上的演员》(1969)。是尝试跟踪图像的外部计划在其所有元素(图组成,形成建设,面临的特点,色彩景观)和揭示内部计划,比喻的结构,在剧中表现颜色的表面,它执行一个双重角色:对象外壳和屏幕,联系起来的思想和想象力的艺术家工作过程的可视化。试图观察和分析两个图像平面(共生,合成)的交织,它们如何相互流动,创造出一种触动观众感情的脉动图像。
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Ekphrasis. Two watercolors by Pavel Zaltsman
Five Heads (1929–1930) and Actors in the Square (1969). An attempt was made to trace the external plan of the image in all its elements (form construction, figure composition, the characteristics of faces, the color landscape) and to reveal the internal plan, the figurative structure, which manifests itself in the play of the color surface, which performs a dual role: to be both an object shell and a screen, where associations that arose in the mind and imagination of the artist in the process of work are visualized. The attempt to see and analyze how the interweaving of the two image planes (symbiosis, synthesis), their flowing into each other create a pulsating image of the work that touches the feelings of the viewer.
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