“超越金钱的原则”:《老无所依》中市场与命运之间的老兵

R. Wyllie
{"title":"“超越金钱的原则”:《老无所依》中市场与命运之间的老兵","authors":"R. Wyllie","doi":"10.5325/cormmccaj.21.1.0073","DOIUrl":null,"url":null,"abstract":"abstract:Scholars debate whether Anton Chigurh, the villain of No Country for Old Men, is a personification of neoliberal capitalism or motivated by philosophical obsessions with death and fate. This article argues for the philosophical Chigurh, who among five military veterans in the novel seems least assimilated to markets and the logic of moneymaking. The article explores connections between war trauma and fixation upon mortal fate, as well as the novel’s themes of military honor and atavistic violence. The author’s argument re-specifies McCarthy’s critique of neoliberalism in the novel, which appears in the limited moral imaginations of other characters who refuse or otherwise fail to conceptualize a killer without economic gain motives.","PeriodicalId":126318,"journal":{"name":"The Cormac McCarthy Journal","volume":"17 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2023-02-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"“Principles that transcend money”: Veterans Between Markets and Fate in No Country for Old Men\",\"authors\":\"R. Wyllie\",\"doi\":\"10.5325/cormmccaj.21.1.0073\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"abstract:Scholars debate whether Anton Chigurh, the villain of No Country for Old Men, is a personification of neoliberal capitalism or motivated by philosophical obsessions with death and fate. This article argues for the philosophical Chigurh, who among five military veterans in the novel seems least assimilated to markets and the logic of moneymaking. The article explores connections between war trauma and fixation upon mortal fate, as well as the novel’s themes of military honor and atavistic violence. The author’s argument re-specifies McCarthy’s critique of neoliberalism in the novel, which appears in the limited moral imaginations of other characters who refuse or otherwise fail to conceptualize a killer without economic gain motives.\",\"PeriodicalId\":126318,\"journal\":{\"name\":\"The Cormac McCarthy Journal\",\"volume\":\"17 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2023-02-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"The Cormac McCarthy Journal\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.5325/cormmccaj.21.1.0073\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"The Cormac McCarthy Journal","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.5325/cormmccaj.21.1.0073","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0

摘要

学者们争论《老无所依》中的反派人物安东·齐格是新自由主义资本主义的化身,还是出于对死亡和命运的哲学痴迷。这篇文章为富有哲学思想的齐格辩护,在小说中的五位退伍军人中,齐格似乎最不熟悉市场和赚钱的逻辑。这篇文章探讨了战争创伤和对凡人命运的执着之间的联系,以及小说的主题——军事荣誉和返祖暴力。作者的论点重新定义了小说中麦卡锡对新自由主义的批判,这种批判出现在其他人物有限的道德想象中,他们拒绝或无法将一个没有经济利益动机的杀手概念化。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
查看原文
分享 分享
微信好友 朋友圈 QQ好友 复制链接
本刊更多论文
“Principles that transcend money”: Veterans Between Markets and Fate in No Country for Old Men
abstract:Scholars debate whether Anton Chigurh, the villain of No Country for Old Men, is a personification of neoliberal capitalism or motivated by philosophical obsessions with death and fate. This article argues for the philosophical Chigurh, who among five military veterans in the novel seems least assimilated to markets and the logic of moneymaking. The article explores connections between war trauma and fixation upon mortal fate, as well as the novel’s themes of military honor and atavistic violence. The author’s argument re-specifies McCarthy’s critique of neoliberalism in the novel, which appears in the limited moral imaginations of other characters who refuse or otherwise fail to conceptualize a killer without economic gain motives.
求助全文
通过发布文献求助,成功后即可免费获取论文全文。 去求助
来源期刊
自引率
0.00%
发文量
0
期刊最新文献
“The coming darkness”: Romantic Tragedy, Shakespeare, and Nahua Myth in Cormac McCarthy’s The Passenger and Stella Maris Religion Between the Parody of Faith and the Epiphany of Grace in Cormac McCarthy’s Blood Meridian “Selecting between the dream and the reality”: The Mexican Revolution in All the Pretty Horses Cormac McCarthy’s Earliest Publication: A Letter on the Beat Generation “Only the dead have seen an end to war”: Misattributing to Plato in Stella Maris?
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
现在去查看 取消
×
提示
确定
0
微信
客服QQ
Book学术公众号 扫码关注我们
反馈
×
意见反馈
请填写您的意见或建议
请填写您的手机或邮箱
已复制链接
已复制链接
快去分享给好友吧!
我知道了
×
扫码分享
扫码分享
Book学术官方微信
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术
文献互助 智能选刊 最新文献 互助须知 联系我们:info@booksci.cn
Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。
Copyright © 2023 Book学术 All rights reserved.
ghs 京公网安备 11010802042870号 京ICP备2023020795号-1