{"title":"透视机,Zograscopes,巨型望远镜和光学盒","authors":"S. R. Wilk","doi":"10.1093/oso/9780197518571.003.0039","DOIUrl":null,"url":null,"abstract":"In the 18th century, there was a craze for special viewing devices that used large lenses, through which viewers looked at engraved scenes. It was claimed that such devices could produce a lively and almost three-dimensional image. But how could they get a stereo effect with only a single picture and a single lens, and no way to provide perspective information? Several such elaborate and expensive items can still be found in several museums.","PeriodicalId":211028,"journal":{"name":"Sandbows and Black Lights","volume":"40 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Perspective Machines, Zograscopes, Megalethoscopes, and Boites d’Optiques\",\"authors\":\"S. R. Wilk\",\"doi\":\"10.1093/oso/9780197518571.003.0039\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"In the 18th century, there was a craze for special viewing devices that used large lenses, through which viewers looked at engraved scenes. It was claimed that such devices could produce a lively and almost three-dimensional image. But how could they get a stereo effect with only a single picture and a single lens, and no way to provide perspective information? Several such elaborate and expensive items can still be found in several museums.\",\"PeriodicalId\":211028,\"journal\":{\"name\":\"Sandbows and Black Lights\",\"volume\":\"40 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"1900-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Sandbows and Black Lights\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1093/oso/9780197518571.003.0039\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Sandbows and Black Lights","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1093/oso/9780197518571.003.0039","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Perspective Machines, Zograscopes, Megalethoscopes, and Boites d’Optiques
In the 18th century, there was a craze for special viewing devices that used large lenses, through which viewers looked at engraved scenes. It was claimed that such devices could produce a lively and almost three-dimensional image. But how could they get a stereo effect with only a single picture and a single lens, and no way to provide perspective information? Several such elaborate and expensive items can still be found in several museums.