尼古拉·马卡伦科——讽刺图画的代表艺术家

Lucia Adascalița-Crigan
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摘要

Nicolae Macarenco是摩尔多瓦共和国讽刺图形领域的杰出人物,在他的艺术生涯中,他以高超的技巧和奉献精神为Aureliu Busuioc, Evgeniy Kopylov, Iosif Gherasimov,真主安拉Grekul签名的文学作品构思书籍插图,海报和具有美学表现力和语义价值的漫画。主人公是一位杰出的、有才华的、坚持不懈的、献身于自己的职业的艺术家,他通过自己的职业和才能,标志着共和国讽刺艺术的整个时代。工作成功,特别是在讽刺幽默的图形类型,平面设计师产生的作品经常发表在重要的期刊,如讽刺和幽默杂志chip,杂志Femeia Moldovei,报纸tierimea Moldovei等。这项研究既强调了艺术家创作的主题方面,也强调了主人公坚定的、系统化的、镜像的艺术选择。在考察了艺术家的作品后,作者越来越关注构图形象的问题,通过人物的形状、线条、色调进行塑性表现的特殊性,拟人与兽形人物的心理状态。与此同时,通过强调色彩在放大平面艺术家创作的讽刺作品所产生的表达和信息的过程中的作用来支持分析方法。
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Nicolae Macarenco - representative artist of satirical graphics
A prominent figure in the field of satirical graphics in the Republic of Moldova, Nicolae Macarenco, throughout his artistic career, conceived with great skill and dedication book illustrations for literary works signed by Aureliu Busuioc, Evgeniy Kopylov, Iosif Gherasimov, Alla Grekul, posters and aesthetically expressive and semantically valuable caricatures. Prodigious, talented, persevering and devoted to his profession, the protagonist is one of the established artists who, through his vocation and talent, marked an entire era in the satirical art of the Republic. Working successfully, especially in the genres of satirical-humorous graphics, the graphic designer gave birth to works that were frequently published in important periodicals such as the satire and humor magazine Chipăruş, the magazine Femeia Moldovei, the newspaper Tinerimea Moldovei and others. The study highlights both the thematic aspects of the artist’s creation and the determined, systematized, mirrored artistic options of the protagonist. Having examined the artist’s works, the author pays increased attention to problems of compositional image, the particularities of plastic representation through shape, line, tone of human characters, psychological states of anthropomorphic and zoomorphic characters. At the same time, the analytical approach is supported by highlighting the role of color in the process of amplifying expressions and messages generated by satirical works created by the graphic artist.
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