燃烧之杵的骑士,我的名字叫l 'influsso del chisotte

Annalisa Martelli
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摘要

《燃烧杵的骑士》是弗朗西斯·博蒙特创作的一部色彩缤纷、生动活泼的滑稽喜剧,1607年在黑衣修士剧院上演。这并不成功;这部剧被詹姆斯时代的观众拒绝,现在被认为是博蒙特和弗莱彻经典中最重要的作品。这部詹姆士王朝戏剧的特点是通过多层次的信息和元虚构的结构来传达尖锐而新颖的社会讽刺,这是早期现代英国戏剧的非凡元素,确实是象征性的例子。学者们一直在争论塞万提斯的《堂吉诃德》对博蒙特喜剧的影响。这篇文章的目的是展示一个新的视角来揭示一些迄今为止未被探索的戏剧特征,清楚地表明塞万提斯对博蒙特的骑士的影响无论是作为一个模型还是作为灵感的来源。
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The Knight of the Burning Pestle e l’influsso del Chisciotte
The Knight of the Burning Pestle is a colourful and lively burlesque comedy by Francis Beaumont, performed at the Blackfriars Theatre in 1607. It was not a success; the play, rejected by the Jacobean audience, is now considered the most important item in the Beaumont- and-Fletcher canon. This Jacobean drama is characterized by sharp and original social satire conveyed through a multilayered message and a meta-fictional structure as the elements of this extraordinary, indeed emblematic example of early modern English theatre. There is an ongoing debate among scholars about the influence of Cervantes’ Don Quixote on Beaumont’s comedy. This article aims to show a new perspective shedding light on some so far unexplored features of the play, clearly showing Cervantes’ influence on Beaumont’s Knight either as a model or as a source of inspiration.
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