{"title":"关于Franco Perrelli，有三张与Lucio大笑的卡片:Anton Giulio Bragaglia, Guglielmo Giannini, Tatiana Pavlova (Bari, 2018页，第323页)。","authors":"A. Petrini","doi":"10.13128/LEA-1824-484X-24436","DOIUrl":null,"url":null,"abstract":"This article discusses the book by Franco Perrelli Tre carteggi con Lucio Ridenti (Pagina, 2018), which reconstructs the role and importance of Lucio Ridenti (as well as that of Anton Giulio Bragaglia, Guglielmo Giannini and Tatiana Pavlova) in Italian theatre between the twenties and the sixties of the twentieth century.","PeriodicalId":340115,"journal":{"name":"LEA : Lingue e Letterature d'Oriente e d'Occidente","volume":"10 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2018-12-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"A proposito di Franco Perrelli, Tre carteggi con Lucio Ridenti: Anton Giulio Bragaglia, Guglielmo Giannini, Tatiana Pavlova (Bari, Edizioni di Pagina, 2018, pp. 323)\",\"authors\":\"A. Petrini\",\"doi\":\"10.13128/LEA-1824-484X-24436\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This article discusses the book by Franco Perrelli Tre carteggi con Lucio Ridenti (Pagina, 2018), which reconstructs the role and importance of Lucio Ridenti (as well as that of Anton Giulio Bragaglia, Guglielmo Giannini and Tatiana Pavlova) in Italian theatre between the twenties and the sixties of the twentieth century.\",\"PeriodicalId\":340115,\"journal\":{\"name\":\"LEA : Lingue e Letterature d'Oriente e d'Occidente\",\"volume\":\"10 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2018-12-24\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"LEA : Lingue e Letterature d'Oriente e d'Occidente\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.13128/LEA-1824-484X-24436\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"LEA : Lingue e Letterature d'Oriente e d'Occidente","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.13128/LEA-1824-484X-24436","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
摘要
本文讨论了Franco Perrelli的《Tre carteggi con Lucio Ridenti》(Pagina, 2018)一书，该书重建了Lucio Ridenti(以及Anton Giulio Bragaglia, Guglielmo Giannini和Tatiana Pavlova)在二十世纪二十年代至六十年代意大利戏剧中的作用和重要性。
A proposito di Franco Perrelli, Tre carteggi con Lucio Ridenti: Anton Giulio Bragaglia, Guglielmo Giannini, Tatiana Pavlova (Bari, Edizioni di Pagina, 2018, pp. 323)
This article discusses the book by Franco Perrelli Tre carteggi con Lucio Ridenti (Pagina, 2018), which reconstructs the role and importance of Lucio Ridenti (as well as that of Anton Giulio Bragaglia, Guglielmo Giannini and Tatiana Pavlova) in Italian theatre between the twenties and the sixties of the twentieth century.
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