商务婚礼中的性别建构:黄潘乃克与浪漫爱情的混合文化

Rafika Syahdina, Samsul Maarif, Katrin Bandel
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摘要

本研究旨在探讨在浪漫的爱情和混合文化中,婚礼仪式/派对所需的资金是如何与性别建构进行协商的。本研究的重点是黄Panaik传统,这是由商人实践作为婚姻的要求之一。本研究的主要对象是两对婚前经历过恋爱关系,在伊斯兰教规边界内表达爱情的夫妇及其亲属。数据收集以两种方式完成,第一种是通过访谈,第二种是检查与主题相关的文本来源。然后将这些数据进行比较,以了解中国传统婚礼仪式的书面实践与受试者的经历之间的相似或不同。采用Eva Illouz的浪漫爱情理论和Homi K Bhabha的杂交理论对数据进行定性分析。本研究运用浪漫爱情与杂交种理论,考察了作为一种杂交种的浪漫爱情文化与黄潘乃克传统之间的关系。本研究认为,由于在婚前发生的浪漫爱情关系(求爱、pacaran)的参与,对黄Panaik传统的实践进行了不同于传统方式的重构,黄Panaik传统的实践受到了挑战。因此,黄帕乃克反对性别建构的谈判过程发生在一种混杂的文化中,同时也伴随着宗教伦理约束下的浪漫爱情。
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GENDER CONSTRUCTION IN BUGINESE WEDDING: UANG PANAIK AND ROMANTIC LOVE AS A HYBRID CULTURE
This research aims to examine how Uang Panaik, the required amount of money to finance a wedding ritual/party, is negotiated against gender construction through romantic love and hybrid culture. This research focuses on Uang Panaik tradition that is practiced by Buginese as one of the requirements of a marriage. The main subjects of this research are two couples who experienced a love relationship before their marriage with love expression within the boundary of Islamic rules and their relatives. The data collection was done in two ways, the first was through interviews and the second was examining textual sources relevant to the topic. The data were then compared in order to see the similarity or difference between the written traditional practice of Buginese wedding ritual and the experience of the subjects. The data were analyzed by using qualitative methods with romantic love theory by Eva Illouz and hybridity theory by Homi K Bhabha. By using the theory of romantic love and hybridity, this research observes the relation between the tradition of Uang Panaik and romantic love as a hybrid culture. This research argues that the practice of Uang Panaik in Buginese wedding ritual has been reconstructed differently from the traditional ways as the practice of Uang Panaik tradition is challenged by the involvement of romantic love relationships that happened before marriage (courtship, pacaran). Thus the process of negotiating Uang Panaik against gender construction happened in a hybrid culture together with romantic love bounded by religious ethics.
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