{"title":"组合的角落","authors":"David Menconi","doi":"10.5149/northcarolina/9781469659350.003.0010","DOIUrl":null,"url":null,"abstract":"During the 1980s, North Carolina was a major outpost for that era’s college-radio alternative music. And Ground Zero was Reynolds High School in Winston-Salem, which Mitch Easter and other major players attended. Easter and his friends Chris Stamey had been making recordings since childhood, developing studio smarts they applied to music. Working out of a garage studio in his parents’ home, Easter became one of the key producers of the decade, especially for his work with R.E.M.","PeriodicalId":117645,"journal":{"name":"Step It Up and Go","volume":"117 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2020-10-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Combo Corner\",\"authors\":\"David Menconi\",\"doi\":\"10.5149/northcarolina/9781469659350.003.0010\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"During the 1980s, North Carolina was a major outpost for that era’s college-radio alternative music. And Ground Zero was Reynolds High School in Winston-Salem, which Mitch Easter and other major players attended. Easter and his friends Chris Stamey had been making recordings since childhood, developing studio smarts they applied to music. Working out of a garage studio in his parents’ home, Easter became one of the key producers of the decade, especially for his work with R.E.M.\",\"PeriodicalId\":117645,\"journal\":{\"name\":\"Step It Up and Go\",\"volume\":\"117 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2020-10-19\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Step It Up and Go\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.5149/northcarolina/9781469659350.003.0010\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Step It Up and Go","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.5149/northcarolina/9781469659350.003.0010","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
During the 1980s, North Carolina was a major outpost for that era’s college-radio alternative music. And Ground Zero was Reynolds High School in Winston-Salem, which Mitch Easter and other major players attended. Easter and his friends Chris Stamey had been making recordings since childhood, developing studio smarts they applied to music. Working out of a garage studio in his parents’ home, Easter became one of the key producers of the decade, especially for his work with R.E.M.