米格尔·德·乌纳穆诺的启示时刻和英雄主义:战争中的和平和殉道者圣·曼努埃尔·布埃诺

Francisco Larubia-Prado
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摘要

摘要:本文发展了米格尔·德·乌纳穆诺的第一部和最后一部小说中现代或启示时刻的谱系、范围和运作模式——一个非宗教的、无休止的瞬间,在这个瞬间,一个普通的事件变得不寻常。作为一种文学、心理学和哲学现象,从Paz en la guerra到圣曼努埃尔·布埃诺(mártir),现代时刻在乌纳穆诺的创作生涯中显然引起了他的兴趣。现代时刻体现在城市和自然环境中,激发了象征性的重生、日常生活和死亡的体验。通过他对现代的兴趣,乌纳穆诺的作品与西格蒙德·弗洛伊德的“海洋感”概念、海伦娜·布拉瓦茨基开创的神智学运动以及英国高级浪漫主义者对人与自然之间联系的理解紧密相连。最后,该研究将现代或启示时刻与两种英雄经历联系起来:约瑟夫·坎贝尔在《千面英雄》(Paz en la guerra的Pachico Zabalbide)中研究的神话英雄,以及弗洛伊德在《图腾与禁忌》(圣曼努埃尔·布埃诺,mártir的唐·曼努埃尔·布埃诺)中分析的悲剧希腊英雄。
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Momentos reveladores y heroísmo en Miguel de Unamuno: Paz en la guerra y San Manuel Bueno, mártir
Abstract:This essay develops the genealogy, range, and modes of operation of the modern or revelatory moment—a non-religious, endless instant in which an ordinary event becomes extraordinary—in the first and last novels by Miguel de Unamuno. As a literary, psychological, and philosophical phenomenon, the modern moment clearly interested Unamuno through his creative life, from Paz en la guerra to San Manuel Bueno, mártir. The modern moment manifests itself in both urban and natural settings, provoking experiences of symbolic rebirth, daily life, and death. Through his interest in the modern moment, Unamuno’s work becomes deeply connected with Sigmund Freud’s concept of “oceanic feeling,” the theosophical movement pioneered by Helena Blavatsky, and the English High Romantics’ understanding of the connection between the human being and nature. Finally, the study links the modern or revelatory moment to two heroic experiences: that of the mythic hero studied by Joseph Campbell in The Hero with a Thousand Faces (Paz en la guerra’s Pachico Zabalbide), and the tragic Greek hero analyzed by Freud in Totem and Taboo (San Manuel Bueno, mártir’s Don Manuel Bueno).
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