空间正义与街头艺术

Peter Bengtsen, M. Arvidsson
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引用次数: 10

摘要

本文提出了空间正义的概念,以一种超越合法/非法二分法的方式来考虑法律与街头艺术之间的关系。通过一系列的实证例子,展示了街头艺术是如何在一个已经占有的城市公共空间中占据已经占有的地方,并将自己强加于一个已经占有的城市公共空间。因此,街头艺术重新定义了与法律抗争的空间。然而,街头艺术是短暂的,它对空间的占据也不是永久的。街头艺术指出了另一种空间定义,一种空间正义的定义,在它从所占据的空间中退出之前——实际上是在退出的同时。街头艺术在法律景观中创造了一个断裂,它使法律的存在和主张变得明确,从而也使对法律的他者——正义——的需要变得明显。我们在这篇文章中提出的法律和街头艺术之间的关系问题,作为一种空间和空间正义的产物,在一种发生、退出和宣告的交换中发挥了作用。空间正义,正如我们在这里所理解的那样,是一种思考法律和街头艺术的方式,而不仅仅是两极对立,而是在一个持续的振荡、相互强化和创造力的过程中相互依赖和联系在一起。
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Spatial Justice and Street Art
This article presents the notion of spatial justice as a way of considering the relationship between law and street art in a manner beyond the legal/illegal dichotomy. Through a series of empirical examples, it is demonstrated how street art literally takes a place already taken and imposes itself in an already appropriated urban public space. Street art thus redefines the space in contestation to law. However, street art is ephemeral and its taking of space is not permanent. Street art points to an alternative spatial definition, one of spatial justice, before – and, indeed, while – withdrawing from the space it occupies. Street art creates a rupture in the lawscape which makes explicit the presence and claims of law, thereby also making the need for law’s other – justice – pronounced. The question of relationality between law and street art which we bring forth in the present article plays itself out as a production of space and spatial justice in an exchange of place-taking, withdrawal and pronounciation. Spatial justice, as we perceive it here, is thus a way of thinking about law and street art not simply as polar opposites, but rather as co-dependent and bound together in an ongoing process of oscillation, mutual reinforcement and creativity.
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