{"title":"颜色深度","authors":"C. Newell, Ryan Craney","doi":"10.47982/cgc.8.409","DOIUrl":null,"url":null,"abstract":"Color Depth is a material-based research project investigating the optical and structural properties of thick glass. The research is driven by an interest in optical gradients of transparency and color, which are designed through a manipulation of geometric form and composition. These qualities can be attributed to the interrelated optical effects created through reflection, refraction, and volume color, in direct correlation to the geometry of individual glass pieces and overall glass assemblies. An example of this can be seen in viewing a monolithic volume of glass that would appear to change color by varying the depths of its form. This concept was originally discussed in Josef Albers’ Interaction of Colour, and applied more specifically to glass in recent essays by Heike Brachlow. Color Depth utilizes this phenomenon of perceived color variation to construct and analyze architectural glass forms in both physical prototypes and design speculation. To evaluate architectural design opportunities, a multi-objective optimization workflow simulates and evaluates varying glass colors, forms, and compositions to achieve a desired visual effect. Additionally, the digital optimization process reveals patterns and visual effects that further the understanding of optical gradients when applied in an architectural context with various seasonal and diurnal environments. Keying into the geometry of glass– to deploy changes in color, darkness, or translucency—Color Depth ties together the physical attributes of a material system with its surrounding light.","PeriodicalId":332145,"journal":{"name":"Challenging Glass Conference Proceedings","volume":null,"pages":null},"PeriodicalIF":0.0000,"publicationDate":"2022-06-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Color Depth\",\"authors\":\"C. Newell, Ryan Craney\",\"doi\":\"10.47982/cgc.8.409\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Color Depth is a material-based research project investigating the optical and structural properties of thick glass. The research is driven by an interest in optical gradients of transparency and color, which are designed through a manipulation of geometric form and composition. These qualities can be attributed to the interrelated optical effects created through reflection, refraction, and volume color, in direct correlation to the geometry of individual glass pieces and overall glass assemblies. An example of this can be seen in viewing a monolithic volume of glass that would appear to change color by varying the depths of its form. This concept was originally discussed in Josef Albers’ Interaction of Colour, and applied more specifically to glass in recent essays by Heike Brachlow. Color Depth utilizes this phenomenon of perceived color variation to construct and analyze architectural glass forms in both physical prototypes and design speculation. To evaluate architectural design opportunities, a multi-objective optimization workflow simulates and evaluates varying glass colors, forms, and compositions to achieve a desired visual effect. Additionally, the digital optimization process reveals patterns and visual effects that further the understanding of optical gradients when applied in an architectural context with various seasonal and diurnal environments. Keying into the geometry of glass– to deploy changes in color, darkness, or translucency—Color Depth ties together the physical attributes of a material system with its surrounding light.\",\"PeriodicalId\":332145,\"journal\":{\"name\":\"Challenging Glass Conference Proceedings\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2022-06-20\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Challenging Glass Conference Proceedings\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.47982/cgc.8.409\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Challenging Glass Conference Proceedings","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.47982/cgc.8.409","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
摘要
Color Depth是一个基于材料的研究项目,研究厚玻璃的光学和结构特性。这项研究是由对透明度和颜色的光学梯度的兴趣推动的,这些梯度是通过对几何形状和组成的操纵来设计的。这些品质可以归因于通过反射、折射和体积颜色产生的相互关联的光学效果,与单个玻璃片和整体玻璃组件的几何形状直接相关。这方面的一个例子可以在观察一个整体的玻璃体积时看到,它会通过改变其形状的深度来改变颜色。这个概念最初是在Josef Albers的《色彩的相互作用》中讨论的,并在Heike Brachlow最近的文章中更具体地应用于玻璃。Color Depth利用这种感知颜色变化的现象,在物理原型和设计推测中构建和分析建筑玻璃形式。为了评估建筑设计机会,一个多目标优化工作流程模拟和评估不同的玻璃颜色、形式和组成,以达到期望的视觉效果。此外,数字优化过程揭示了图案和视觉效果,当应用于各种季节和昼夜环境的建筑背景时,进一步理解光学梯度。关键是玻璃的几何形状-部署颜色,黑暗或半透明的变化-颜色深度将材料系统的物理属性与其周围的光线联系在一起。
Color Depth is a material-based research project investigating the optical and structural properties of thick glass. The research is driven by an interest in optical gradients of transparency and color, which are designed through a manipulation of geometric form and composition. These qualities can be attributed to the interrelated optical effects created through reflection, refraction, and volume color, in direct correlation to the geometry of individual glass pieces and overall glass assemblies. An example of this can be seen in viewing a monolithic volume of glass that would appear to change color by varying the depths of its form. This concept was originally discussed in Josef Albers’ Interaction of Colour, and applied more specifically to glass in recent essays by Heike Brachlow. Color Depth utilizes this phenomenon of perceived color variation to construct and analyze architectural glass forms in both physical prototypes and design speculation. To evaluate architectural design opportunities, a multi-objective optimization workflow simulates and evaluates varying glass colors, forms, and compositions to achieve a desired visual effect. Additionally, the digital optimization process reveals patterns and visual effects that further the understanding of optical gradients when applied in an architectural context with various seasonal and diurnal environments. Keying into the geometry of glass– to deploy changes in color, darkness, or translucency—Color Depth ties together the physical attributes of a material system with its surrounding light.