多孔的自我

J. Quijada
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引用次数: 0

摘要

第六章叙述了一个萨满入门,并描述了在诊断入门萨满召唤的过程中产生的家族史。在尤里的入会仪式上,我们看到了拥抱一种历史类型而不是另一种历史类型的风险。尤里的父亲是布里亚特人,母亲是俄罗斯人,对他和他的家人来说,他是否接受过去的萨满宗谱类型是生死攸关的问题。本章说明了萨满实践可以建立的与过去的关系,并展示了与历史类型的接触如何改变后苏联主体的自我概念。萨满流派批判的是一种自我,一种苏联现代主义想要培养的新苏联人。通过诊断召唤和启蒙的过程,有抱负的萨满将自己改造成多孔的主体,服从他们祖先的意志。
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Porous Selves
Chapter 6 narrates a shamanic initiation and describes the family history that is produced in the process of diagnosing the initiate’s shamanic calling. In Yuri’s initiation we see the stakes of embracing one historical genre over another. For Yuri, whose father is Buryat and his mother Russian, whether or not he accepts a shamanic genealogical genre of the past is a matter of life or death for him and his family. This chapter illustrates the kind of relationships to the past that shamanic practices can build, and shows how engaging with historical genres can transform conceptions of self for post-Soviet subjects. The shamanic genre critiques the kind of self, the New Soviet Person, that Soviet modernism sought to cultivate. Through the process of diagnosing a calling and initiation, the aspiring shaman remakes themselves into porous subject, subjected to the will of their ancestors.
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