从弗莱批评看蝴蝶理论对社会栋梁的影响

Rubab Ali
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引用次数: 0

摘要

易卜生是现代主义戏剧创作的奠基人和现实主义编剧之父,他在1877年创作的话剧《社会支柱》中体现了他的现实主义价值观。该剧讲述了一个腐败的商人通过偷窃和指责一个无辜的人而发家致富,并认为自己是社会的支柱。他与一位女演员有染,生下了一个私生女。在他的儿子被置于危险的境地后,他意识到自己的错误并忏悔。研究的框架是运用蝴蝶效应理论和诺斯罗普·弗莱的批评理论对情节和英雄类型进行分析,以确定具体的现实主义英雄(即卡斯滕·伯尼克)的类型和结局。分析代表了四幕戏中发生的小事件,这些事件导致了确定的结局。结果描绘了某些对话和事件,这些对话和事件是合理的,可以达到结局,并将主角描述为具有救赎结局的低级模仿英雄。
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Effect of Butterfly Theory on The Pillars of Society in Light of Northrop Frye's Criticism
Henrik Ibsen being the founder of Modernism in theatrical works and the father of Realism in scriptwriting, had revealed his values of Realism by writing the play The Pillars of Society in 1877. The play is about a corrupt businessman who made his fortune by stealing and blaming an innocent person and assumes himself to be a pillar of society. His affair with an actress results in an illegitimate and unacknowledged daughter. After his son is placed in a perilous position, he realizes the error of his ways and repents. The framework of the research was to apply the Butterfly Effect Theory and Northrop Frye's Criticism on plots and kinds of heroes to identify the types of the particular realistic hero (i.e. Karsten Bernick) and the ending. The analysis represents the minor events that took place in the four act play that leads to the defined ending. The results portray certain dialogues and events that were reasonable to reach the ending and describe the protagonist as a low mimetic hero with a redemptive ending.
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