{"title":"第二次世界大战后的民权运动、新闻摄影和民权私刑记忆的驯化","authors":"M. Hasian, Nicholas S. Paliewicz","doi":"10.2307/j.ctv1fkgc9s.8","DOIUrl":null,"url":null,"abstract":"This chapter provides readers with an analysis of the photojournalism and other visualities that were used by private and public organizations interested in civil rights activism who were working on anti-lynching consciousness-raising between World War II and 2000. The authors contend that this was the period that witnessed commentary about the “end” of U.S. lynchings, but this amnesia would be critiqued by those who learned about the evocative power of an anti-lynching travelling exhibit, entitled Without Sanctuary.\n","PeriodicalId":259968,"journal":{"name":"Racial Terrorism","volume":"183 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2020-12-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Post–World War II Civil Rights Activism, Photojournalism, and the Domestication of Civil Rights Lynching Memories\",\"authors\":\"M. Hasian, Nicholas S. Paliewicz\",\"doi\":\"10.2307/j.ctv1fkgc9s.8\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This chapter provides readers with an analysis of the photojournalism and other visualities that were used by private and public organizations interested in civil rights activism who were working on anti-lynching consciousness-raising between World War II and 2000. The authors contend that this was the period that witnessed commentary about the “end” of U.S. lynchings, but this amnesia would be critiqued by those who learned about the evocative power of an anti-lynching travelling exhibit, entitled Without Sanctuary.\\n\",\"PeriodicalId\":259968,\"journal\":{\"name\":\"Racial Terrorism\",\"volume\":\"183 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2020-12-28\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Racial Terrorism\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.2307/j.ctv1fkgc9s.8\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Racial Terrorism","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.2307/j.ctv1fkgc9s.8","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Post–World War II Civil Rights Activism, Photojournalism, and the Domestication of Civil Rights Lynching Memories
This chapter provides readers with an analysis of the photojournalism and other visualities that were used by private and public organizations interested in civil rights activism who were working on anti-lynching consciousness-raising between World War II and 2000. The authors contend that this was the period that witnessed commentary about the “end” of U.S. lynchings, but this amnesia would be critiqued by those who learned about the evocative power of an anti-lynching travelling exhibit, entitled Without Sanctuary.