{"title":"Objektifikasi Perempuan dalam Cerpen Lipstik Karya Seno Gumira Ajidarma","authors":"W. Winarti","doi":"10.22515/BG.V5I1.2666","DOIUrl":null,"url":null,"abstract":"The objectification of women has been perpetuated from time to time, generation to generation, in various forms, even in a very subtle form so that women do not feel that their bodies have been reduced into something passive, no more than a gender object, dwelling to sexual desire and exploitation of women’s bodies. In Indonesia, the writings presented by mass media have been conditioned into “male patterns”. Besides mass media, the world of literature also recognizes women as a magnet of a story, in a short story or novel. This thing perpetuates women’s position as objects in literary works. The narrations about women in short stories and novels are constructed to fulfill the standards set by patriarchy through narrations about women. It is undeniable that male domination seems to have penetrated into women’s lives, even to the smallest things. Consciously or not, women always walk on the paths that have been set by men. In modern era like today, many women still stand under male domination as if they do not have the rights of themselves and their bodies. The narrations about objectification of women are found in Lipstik short story by Seno Gumira Ajidarma. In this short story, women are constructed to be passive objects, they are narrated as objects of oppression and body exploitation conducted by men.","PeriodicalId":406709,"journal":{"name":"BUANA GENDER : Jurnal Studi Gender dan Anak","volume":"24 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2020-09-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"2","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"BUANA GENDER : Jurnal Studi Gender dan Anak","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.22515/BG.V5I1.2666","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 2

摘要

女性的物化一直以各种形式,甚至以一种非常微妙的形式不断延续,以至于女性不觉得自己的身体被贬低为被动的东西,只不过是一个性别对象,居住在性欲和对女性身体的剥削中。在印度尼西亚,大众媒体呈现的文字已经被限定为 - œmale模式。除了大众传媒,文学世界也承认女性是故事的磁石,在短篇故事或小说中。这件事延续了女性在文学作品中作为客体的地位。短篇小说和长篇小说中的女性叙事是为了通过叙事来满足父权制所设定的标准而建构的。不可否认的是,男性统治似乎已经渗透到女性的生活中,甚至是最小的事情。无论有意无意,女人总是走在男人为她开辟的道路上。在像今天这样的现代,许多女性仍然站在男性的统治之下,好像她们没有自己和身体的权利。女作家古米拉·阿吉达玛的短篇小说《口红》中就有对女性物化的叙述。在这个短篇小说中,女性被建构为被动的客体,她们被叙述为男性压迫和剥削身体的对象。
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Objektifikasi Perempuan dalam Cerpen Lipstik Karya Seno Gumira Ajidarma
The objectification of women has been perpetuated from time to time, generation to generation, in various forms, even in a very subtle form so that women do not feel that their bodies have been reduced into something passive, no more than a gender object, dwelling to sexual desire and exploitation of women’s bodies. In Indonesia, the writings presented by mass media have been conditioned into “male patterns”. Besides mass media, the world of literature also recognizes women as a magnet of a story, in a short story or novel. This thing perpetuates women’s position as objects in literary works. The narrations about women in short stories and novels are constructed to fulfill the standards set by patriarchy through narrations about women. It is undeniable that male domination seems to have penetrated into women’s lives, even to the smallest things. Consciously or not, women always walk on the paths that have been set by men. In modern era like today, many women still stand under male domination as if they do not have the rights of themselves and their bodies. The narrations about objectification of women are found in Lipstik short story by Seno Gumira Ajidarma. In this short story, women are constructed to be passive objects, they are narrated as objects of oppression and body exploitation conducted by men.
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