普拉姆迪亚·阿南塔·托尔小说中女性的边缘化——对莎拉·米尔斯在金色小说《甜牙米达》、《拉拉萨蒂与沙滩女孩》中的批评话语分析的定性描述研究

Lenni Ashari, Azis Azis, M. Saleh
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引用次数: 1

摘要

这项研究的动机是在印度尼西亚文学大师之一普拉姆迪亚·阿南塔·托尔(Pramoedya Ananta Toer)的女性主题小说中发现的许多边缘化案例。众所周知,普拉姆迪亚·阿南塔·托尔的小说经常提出当时发生的社会问题,包括女性被边缘化的情况。《Midah Si Manis Bergigi Emas》、《Larasti》和《Gadis Pantai》是普拉姆迪亚·阿南塔·托尔创作的几部以女性为主角的小说。在这些小说中,女性所经历的各种形式的权利边缘化成为研究人员感兴趣的东西。本研究旨在揭示普拉姆迪亚·阿南塔·托尔小说中女性边缘化的表现形式。本文采用的研究方法是由埃尔扬托发展起来的萨拉·米尔斯的批评话语分析法。萨拉·米尔斯的批评话语分析侧重于研究演员在文本中的定位,即通常所说的主体-客体位置和作者-读者位置,但本研究的重点是主体-客体位置。使用的数据收集技术是文献研究法和文献法。研究结果表明,在普拉姆迪亚·阿南塔·托尔的小说《Midah Si Manis Bergigi Emas, Larasati, Gadis Pantai》中,女性角色经历了几种形式的边缘化。小说中的女性角色除了被边缘化对待之外,还被定位为叙事中的客体。
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The Marginalization of Women in Pramoedya Ananta Toer's Novel: A Qualitative Descriptive Study of Sara Mills' Critical Discourse Analysis in Midah the Sweet Tooth of the Gold Novel, Larasati and the Beach Girl
This research is motivated by the many cases of marginalization found in women's themed novels written by one of the maestro of Indonesian literature, Pramoedya Ananta Toer. The novels written by Pramoedya Ananta Toer are known to often raise social problems that occurred at that time, including cases of marginalization of women. Midah Si Manis Bergigi Emas, Larasti and Gadis Pantai are several novels by Pramoedya Ananta Toer which tell the life journey of women as the main characters. The many forms of marginalization of rights experienced by women in these novels become something interesting for researchers. The purpose of this research is to uncover the representation of women's marginalization that occurs in the novels by Pramoedya Ananta Toer. The research method used is Sara Mills' critical discourse analysis which has been developed by Eryanto. Sara Mills' Critical Discourse Analysis emphasizes her study on the positioning of actors in the text or what is generally known as the subject-object position and the writer-reader position, however, the focus of this research is the subject-object position. The data collection technique used is literature study and documentation. The results of this study indicate that in the novel Midah Si Manis Bergigi Emas, Larasati, Gadis Pantai written by Pramoedya Ananta Toer, there are several forms of marginalization experienced by female characters in the novel. In addition to getting marginal treatment, the female character in the novel is also positioned as an object in the storytelling.
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